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Autograph (2010)

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The plot revolves around three lives - a superstar, a young director and a theatre actress - and how their coming together during the process of making a film, changes them forever. The ... See full summary »

Director:

Srijit Mukherji

Writers:

Srijit Mukherji (dialogue), Srijit Mukherji (story and screenplay)
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Cast

Credited cast:
Prasenjit Chatterjee ... Arun Chatterjee (as Prosenjit Chatterjee)
Indraneil Sengupta ... Shubhobroto Mitra
Nandana Sen ... Srinandita
Rudraprasad Sengupta
Biswajit Chakraborty ... Manoj Sarkar (as Bisawajit Chakraborty)
Pijush Ganguly ... Ashish Chakravarty
Dwijen Banerjee ... Parthapratim Nag (as Dwijen Bandyopadhyay)
Sohini Pal Sohini Pal ... Ahona Dasgupta (as Sohini Paul)
Dhruv Mookerji Dhruv Mookerji ... Moloy Dasgupta
Dilip Roy Dilip Roy ... Torun Mukherjee
Rest of cast listed alphabetically:
Arindol Bagchi Arindol Bagchi ... (as Arindal Bagchi)
Kamalika Banerjee
Abhrajit Chakraborty Abhrajit Chakraborty
Rii ... Rupali Gupto (as Rituparna Sen)
Sumit Samaddar Sumit Samaddar
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Storyline

The plot revolves around three lives - a superstar, a young director and a theatre actress - and how their coming together during the process of making a film, changes them forever. The film is also a humble tribute to Satyajit Ray's Nayak. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

Country:

India

Language:

Bengali

Release Date:

14 October 2010 (India) See more »

Also Known As:

Автограф See more »

Company Credits

Production Co:

SVF Entertainment See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

The character 'Arun Chatterjee' acted by Prosenjit Chatterjee in this movie is the actual name of bengali 'Mahanayak' Uttam Kumar. See more »

Connections

References Nayak (1966) See more »

Soundtracks

Beche Thakar Gaan (2)
Performed by Saptarshi Mukherjee
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User Reviews

 
Today's Star
11 May 2015 | by sumitghoseSee all my reviews

This film, though stemming from a novel idea, was not well-executed. The screen-play lacked conviction and the direction much needed focus. In this film in an attempt to pay tribute to one of the greatest filmmakers/auteurs of all times in the world (Satyajit Ray), Mr. Mukherjee somehow lost track of what (and how much) gravity creating such a tribute demanded. Autograph is immensely rich in its approach to film theory with its subtle references to iconic European directors and films. Sadly though, it ended up being an incomplete and incoherent melange of some unexpected and mostly predictable plot twists. The myriad of sequences remain(ed) fettered in underdeveloped video vignettes devoid of artistic momentousness. This film belied Mukherjee's capabilities as a potential avant-garde Indian filmmaker!


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