Mother, May I?

Mother, May I? Posits a couple who seem to psychologically tormented each other in efforts to "heal" from their dysfunctional parents and upbringing. This is played out as the male inherits his mother's house. Issues of abandonment, and abuse are explored as the "healing" is attempted.

The film takes an odd twist when the female starts acting like the late mother. This element begins a questioning of is this a supernatural possession instead of a twisted psychological game? Unfortunately, this plot point becomes lost as the interpersonal dynamics between the two main characters continues on their dysfunctional paths. Never mind what the conclusion is as it doesn't matter.

Acting is good even if the main characters are obnoxious and annoying. Production is good for a decent looking film. The overall point though is a trifling yawn.

If you're looking to fashion a double feature, you could definitely pair this film with Run Rabbit Run.

Though, this film is neither as creepy, or well done as that film is.

One thing is for sure...they definitely share some thematic similarities.

With the wife taking on the characteristics of her husband's dead mother here; where the daughter takes on characteristics of her dead sister there.

And both focusing on the psychological toll it takes on the main characters- when they are forced to face a cognitive dissonance breakdown, when their understanding of the world falls apart.

The difference here being that we are looking at the effect it has on both parties, here.

With the mystery at the center of this film being much more confounding.

As two broken people use a shared traumatic experience to heal their underlying mental wounds.

While not a bad film, it doesn't quite live up to the mastery of Run Rabbit Run.

Which you can't help but compare it to (if you've recently watched both, like I have).

To be fair though, this one does have an air of darkly comedic undertones to it.

Despite it's sincerity.

Whereas Run Rabbit Run is a more pure psychological thriller.

Both films are great though!

So make a double feature out of it.

5.5 out of 10.

Besides the fact that it doesn't fit the genre of horror at all, creepy at most. Although the actors do an amazing job but the storyline is full of loose ends, nothing really gets explained and majority of the film is very slow paced and confusing and ultimately has a very unsatisfying weird and preverse ending. Not worth watching at all even if you like psychological "horror". It felt almost like a knock-off low budget version of hereditary, with similar perversion and over all creepy vibes. Even after understanding the film and plot and whatnot it still does not make up for the lack of effort in story telling.

Emmett (Kyle Gallner) inherits the family home from his estranged late mother. He and his girlfriend Anya (Holland Roden) head off to the remote extensive home to prepare for a quick sale. They have an usual relationship which gets stranger when she seems to take on the personality of his mother.

The writer/director is Laurence Vannicelli. I don't know anything about him or his work. I do like the tone and the simmering tension of this movie. Most of all, I love these two actors. I want this to be great. At last, it simmers, but it never cooks. There is a way to get there, but the story takes a less compelling turn. The ending is somewhat poetic, but has no intensity. This is marginal.

Mother, May I is categorized as a horror/thriller. Just the mindset I was in tonight, a good, hopefully scary movie. Well it turned out to be a huge disappointment. It's not a horror movie at all, or I must have missed something, and even as a thriller it didn't do the job. Instead what you get is a boring story, very repetitive and at a slow pace. The acting fron the small cast was just okay, nothing mesmerizing at all. Writer/director Laurence Vannicelli didn't convince me at all. It for sure doesn't want me to watch other movies from Laurence Vannicelli. I really wonder why they would categorize this one as horror.