John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Iconoclastic, take-no-prisoners cop John McClane, for the first time, finds himself on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes.Written by
Guy from Estonia
Shot with Super 35, and with the series' traditional 2.35:1 scope aspect ratio in mind, director John Moore re-framed the film to 1.85:1 (possible through the Super 35 format) after deciding the opening car chase sequence looked better that way. He also believed the 1.85:1 ratio would better accommodate the hand-held camera work scenes. See more »
When John is saying goodbye to his daughter his hair is a rough buzz cut of a few millimetres, at the start of the chase scene in Russia it's still fuzzy, but when he stops during the chase, in a building, his head is close shaved and shiny. John's hair cut changes throughout the movie. See more »
Hey, lemme ask you something. Do you go looking for trouble, or does it always find you?
You know, after all these years, I'm still asking myself the same question.
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After the UK censors informed Fox that the R-rated cut of the film would be carry a 15 rating, the distributors cut out almost all strong language, some scenes of fisticuffs and bloodier violence in order to release the film with a 12A rating for theatrical exhibition only. The cuts were waived when released on DVD and Blu-ray in the UK in 2013 with a '15' rating thus presenting the US R-rated Theatrical Version uncut for home video release. The UK 12A Theatrical cut is not released on home video formats. See more »
I love Die Hard, but shaky camera ruined it for me this time. I can't see because 35% film use shaky camera, 25% out of focus, blurry and 10% rapid zoom ins. Please STOP using Shaky Camera in Films, PLEASE :I am some of those remaining species, who go to watch feature films in cinemas. I never download a movie for free, I pay to netflix. Just doing my part to save the cinema I love. But, some directors and movie making houses, make stupid moves. One of them is use of unwanted, un-needed, shaky camera. So, I want to get my voice heard. If you are a fan, go see the movie, but if you don't like Shaky Camera, then think twice.
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