Lord Grantham sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard the Titanic means distant cousin Matthew Crawley, a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves. Written by
According Joanne Froggatt, Anna originally meant to be a slightly older character, because they didn't want an age-gap between her and Bates. However they were so satisfied with Joanne, who is 17 years younger than Brendan Coyle, that the relationship of Anna and Bates was turned out to be a May-December romance. See more »
Robert and Cora Crawley both have blue eyes, but their daughters Mary and Edith have brown eyes. While it's not very common, two blue-eyed parents can produce brown-eyed children. Eye color is a complex trait that depends on the state of several interacting genes. The OCA2 gene on chromosome 15, which usually determines eye color, comes in different strengths. A person with a weak form of the gene will have blue eyes, and a person with a strong form will have brown eyes. Individuals also have other eye-color genes. For example, if one of these lesser genes is strong, it can make the weak form (blue) of OCA2 work much more effectively. Depending on the interactions of other genes, the resulting eye color can be any shade of brown, hazel, green or blue. See more »
Brilliant, stylish, clever entertainment with witty script...
DOWNTON ABBEY is the kind of "Masterpiece Theatre" material that the British do with such finesse that one can only sit back and marvel at the sets, costumes, music, and above all, the performances that are all on an extraordinarily high level.
The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.
Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.
The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.
Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.
Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.
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