Lord Grantham sees his family heritage, especially the grand country home Downton Abbey, as his mission in life. The death of his heir aboard the Titanic means distant cousin Matthew Crawley, a Manchester lawyer, suddenly is next in line and accepts moving onto the vast estate with his even more modernist, socially engaged mother, who clashes with his lordship's domineering, conservative mother, the dowager countess. Marrying off the daughters is another concern. Meanwhile, the butler presides over a staff which serves the family, but also lead most of their entire lives in the servants' quarters, intriguing amongst themselves.Written by
Cast members of the show have revealed that the costumes are, in many cases, actual articles of clothing from the 1910s and 1920s. They are so fragile that they cannot be laundered, and as a result, don't smell very good. See more »
Robert and Cora Crawley both have blue eyes, but their daughters Mary and Edith have brown eyes. While it's not very common, two blue-eyed parents can produce brown-eyed children. Eye color is a complex trait that depends on the state of several interacting genes. The OCA2 gene on chromosome 15, which usually determines eye color, comes in different strengths. A person with a weak form of the gene will have blue eyes, and a person with a strong form will have brown eyes. Individuals also have other eye-color genes. For example, if one of these lesser genes is strong, it can make the weak form (blue) of OCA2 work much more effectively. Depending on the interactions of other genes, the resulting eye color can be any shade of brown, hazel, green or blue. See more »
A satisfying social drama presaging the changes upcoming in pre-WWI Britain.
Julian Fellowes' intelligent (and sophisticated) take on pre-World War I society of aristocrats and worker-bees is smart-writing on the changes we will see over the next 25 years, encompassing two major wars and a great depression. The writing and the casting make this many steps above "soap opera" as the themes of social mobility and aristocratic incompetence are sharply etched.
All of it pleased me, from the smallest character to the dozen or so leads, lead off by the always-brilliant Maggie Smith. This is to be enjoyed for both its eye-candy (Downton Abbey) and its themes of rich- and-poor dilemmas. Gorgeously shot with accurate art-direction. Wonderful all the way around.
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