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IMDbPro

La femme du Vème

  • 20112011
  • 14A14A
  • 1h 24m
IMDb RATING
5.3/10
6.7K
YOUR RATING
POPULARITY
13,227
2,979
Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
A college lecturer flees to Paris after a scandal costs him his job. In the City of Lights, he meets a widow who might be involved in a series of murders.
Play trailer1:56
2 Videos
13 Photos
DramaMysteryThriller
A college lecturer flees to Paris after a scandal costs him his job. In the City of Light, he meets a widow who might be involved in a series of murders.A college lecturer flees to Paris after a scandal costs him his job. In the City of Light, he meets a widow who might be involved in a series of murders.A college lecturer flees to Paris after a scandal costs him his job. In the City of Light, he meets a widow who might be involved in a series of murders.
IMDb RATING
5.3/10
6.7K
YOUR RATING
POPULARITY
13,227
2,979
  • See more at IMDbPro
    • Director
      • Pawel Pawlikowski
    • Writers
      • Douglas Kennedy(novel)
      • Pawel Pawlikowski(screenplay)
    • Stars
      • Ethan Hawke
      • Kristin Scott Thomas
      • Joanna Kulig
    Top credits
    • Director
      • Pawel Pawlikowski
    • Writers
      • Douglas Kennedy(novel)
      • Pawel Pawlikowski(screenplay)
    • Stars
      • Ethan Hawke
      • Kristin Scott Thomas
      • Joanna Kulig
  • See production, box office & company info
    • 58User reviews
    • 98Critic reviews
    • 57Metascore
    • Awards
      • 2 nominations

    Videos2

    Theatrical Version
    Trailer 1:56
    Theatrical Version
    U.K. Version
    Trailer 1:53
    U.K. Version

    Photos13

    Ethan Hawke and Joanna Kulig in La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
    Kristin Scott Thomas in La femme du Vème (2011)
    Ethan Hawke in La femme du Vème (2011)
    Pawel Pawlikowski and Joanna Kulig in La femme du Vème (2011)
    Kristin Scott Thomas in La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
    La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)
    Ethan Hawke and Kristin Scott Thomas in La femme du Vème (2011)

    Top cast

    Edit
    Ethan Hawke
    Ethan Hawke
    • Tom Ricks
    Kristin Scott Thomas
    Kristin Scott Thomas
    • Margit
    Joanna Kulig
    Joanna Kulig
    • Ania
    Samir Guesmi
    Samir Guesmi
    • Sezer
    Delphine Chuillot
    Delphine Chuillot
    • Nathalie
    Julie Papillon
    • Chloé
    Geoffrey Carey
    • Laurent
    Mamadou Minte
    • Omar
    Mohamed Aroussi
    • Moussa
    Jean-Louis Cassarino
    • Dumont
    Judith Burnett
    • Lorraine L'herbert
    Marcela Iacub
    • Isabella
    Wilfred Benaïche
    • Lieutenand Coutard
    Pierre Marcoux
    • Lawyer
    Rosine Favey
    • Lawyer's Translator
    Anne Benoît
    • Teacher
    Grégory Gadebois
    Grégory Gadebois
    • Lieutenant Children Unit
    • (as Grégory Gadebois de la Comédie Française)
    Donel Jack'sman
    • Customs Officer
    • (as Donel Jacks'Man)
    • Director
      • Pawel Pawlikowski
    • Writers
      • Douglas Kennedy(novel)
      • Pawel Pawlikowski(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Second time kristen wash the hair of the Main character. First was The English Patient.
    • Connections
      Featured in The Big Picture: February 2012 (2012)
    • Soundtracks
      Tomaszów
      Written by Julian Tuwim

      Performed bz Ewa Demarczyk

    User reviews58

    Review
    Top review
    Quietly impressive
    To say that Tom is down on his luck is an understatement. He has lost his job as a university lecturer on literature and flown to Paris in search of his young daughter, Chloe, and his wife, who has had a restraining order issued against him. His bag is stolen on the bus; he has no money, and is forced to rent a grotty room in a down-and-out Parisian café, owned by a domineering, criminal character called Sezer.

    Tom has also written a novel. He has no faith in it, but it clearly shows potential. His passion for literature seems to have been extinguished by the time we meet him; yet he hopes that writing a second novel will bring him some income. In the meantime, Sezer sets him up with a scary night shift in an underground bunker, where he must watch a screen for six hours each night and only allow people to enter if they know the correct 'password'.

    It is at a literary gathering that Tom meets Margit. From the first moment she appears, we get goosebumps. The effect she has on Tom is electric – it might not be love at first sight, but there is something cool, mysterious and effortlessly sensual about Margit that immediately captivates him. From a simple glance through a doorway, he is compelled to follow her onto the balcony. The conversation they have there is tinged with sadness and sinister undertones; she recognises something in Tom and hands him her card, telling him to call 'any time after four', before slipping away. Who is this woman? Why does she unsettle us so much?

    Ethan Hawke plays Tom. Critics have complained about his dodgy French accent, but try and put this into perspective. He is playing an outsider, a foreigner who is able to get by in conversation. Surely the American accent adds to the authenticity of the role, and emphasises his isolation. Give him a break – it's a fine performance.

    Even more impressive, though, is Kristin Scott Thomas as the ethereal Margit. It is not the details of her life or the tragedy in her past that fascinates us – these are eventually revealed, but they won't be what you remember most. It is the constant performance – the cold, removed beauty of this character that startles us. Intelligent, demure and sinister, there is a potent dread and sorrow that pervades the scenes she is in, and permeates throughout the rest of the film in ripples that seem to emanate from her presence.

    Consider the first time Tom visits her apartment. He is awkward, and tries to make small talk. He asks about her husband, a Hungarian writer. She indulges him for a short time, but they have no delusions. Both know very well why he is there. The shot that follows is perhaps the finest in the entire film; finally, we have found someone who understands how to film sex. It is sad to think that so many directors believe that the more you show, the more erotic the scene is. The tension in that apartment is almost unbearable, and sex does not diffuse it. Watch closely as Tom tries to kiss Margit, at what point she stops him and undoes his trousers. No detail is shown, and even the sounds of rustling material are muted. The camera focuses on their faces, in one steady, unmoving shot: Tom recoils in shock, closes his eyes, murmurs, almost disintegrating from the overwhelming emotion and physical pleasure of this act. Margit only watches, silently, smiling knowingly as if she were gazing at a small child trying to learn the alphabet. She is in complete control, and knows it.

    I am not sure how to describe 'The Woman In The Fifth'; the word 'strange' doesn't even scratch the surface. It is a classy movie – the aesthetics and cinematography are top notch (notice the deep reds and blacks that cling to Margit, for example), and the influence of Polish cinema is patent. Paris is an alien world – behind a romantic façade lie the gray skies, the lonely train tracks, the tragic aura of mystery and always the looming sense of danger and death. This is a movie that defies rational judgement, as the plot swings from one bizarre event to the next. The twist about two thirds of the way through had many cynics in the audience scoffing – I have to admit, I wasn't completely convinced. But we are in the hands of a director who has complete confidence in his medium, and by the end, I had a deep respect for his efforts. This movie isn't perfect, but it is nevertheless beguiling and utterly compelling. It takes some skill to blend the genres seen here so effortlessly – from domestic drama to romance to crime thriller and finally entering the realms of the supernatural, this shouldn't really work. Yet the threads between these genres and the themes on display are as tangible as those woven by spiders and serving to capture insects in the brief interludes within the film, often showing snapshots of nature in its deformed, frightening beauty, focusing in particular on a faraway woodland. Where is it? What do these images mean?

    It only really struck me as I left the cinema just how desperately sad this movie is. Whatever else 'The Woman In The Fifth' explores, it is primarily about suffering and loss, and our need for love and human companionship. It may not be a masterpiece – I would argue its flaws are quite substantial - but it is never pretentious. Pawel Pawlikowski is a director who has a story to tell, and does so with flair and imagination, without ever alienating his audience. Surprisingly deep, concisely expressed and including within its short running time glimpses of cinematic genius, 'The Woman In The Fifth' is an unassuming little gem. I highly recommend it.
    helpful•30
    6
    • jamesmartin1995
    • Aug 16, 2012

    Details

    Edit
    • Release date
      • November 16, 2011 (France)
    • Countries of origin
      • France
      • Poland
      • United Kingdom
    • Official sites
      • Official site
      • TVP VOD
    • Languages
      • English
      • French
      • Polish
    • Also known as
      • La femme du 5ième
    • Filming locations
      • 131 Rue des Poissonniers, Paris 18, Paris, France
    • Production companies
      • Haut et Court
      • Film4
      • UK Film Council
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $113,800
    • Opening weekend US & Canada
      • $33,011
      • Jun 17, 2012
    • Gross worldwide
      • $662,887
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 24 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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