Le moine

Historical and monastery- or palace-related films are usually catchy and intense as both external and internal reclusion provide sufficient basis for these - particularly together with religious mystique. Le moine is a good example here, but not among the finest: its run is sometimes protracted, many supporting actors are unvaried (female ones, above all) and the ending does not summarize all "loose ends" recognised during the film. As of today, the issues approached do not awake the same feelings as centuries ago when the novel The Monk: A Romance was written by Matthew Gregory Lewis (1796) - at least in agnostics like me.

The gem of the film is undoubtedly the star Vincent Cassel as Capucino Ambrosio (= the Monk); he outperforms his counterparts and there are scenes where his presence could have been more visible (well, usually I am not so much into so-called solo films).

Thus, as for tenseness and uniformity of characters, Le moine leaves to be desired; e.g. The Name of the Rose is better.