6.8/10
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1 user 22 critic

La bocca del lupo (2009)

The story of a criminal Vincenzo and his transsexual lover Mary, who waited for him for many years while he served his prison sentence.

Director:

9 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Vincenzo Motta ...
Himself
Mary Monaco ...
Herself
Franco Leo ...
Narrator (voice)
Stefano Carappa ...
Himself
Anna Massa ...
Herself
Antonio Micheletti ...
Himself
Andrea Cambi ...
Himself
Adriano Rossi ...
Himself
Sara Trombetti ...
Herself
Michela Jugovich ...
Herself
Domenico Fertini ...
Himself
Claudio Coppola ...
Himself
Roberto Polloni ...
Himself
Anita Lee ...
Herself
Ursula Salvo ...
Herself
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Storyline

The story of a criminal Vincenzo and his transsexual lover Mary, who waited for him for many years while he served his prison sentence.

Plot Summary | Add Synopsis


Certificate:

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Parents Guide:

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Details

Country:

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Language:

Release Date:

15 February 2010 (Italy)  »

Also Known As:

A Boca do Lobo  »

Filming Locations:


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Box Office

Budget:

€100,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The first Italian film to win the Top Prize at the Turin Film Festival. See more »

Connections

Edited from Quartiere genovese (1948) See more »

Soundtracks

Membra Jesu Nostri, BuxWV 75 - II. Ad Genua
Composed by Dietrich Buxtehude
Performed by Accademia Instrumentale Italiana Sonatori de la Gloriosa Marca
Conducted by Diego Fasolis
Courtesy of HNH International
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User Reviews

 
Messy, incoherent and ultimately tedious.
4 August 2010 | by See all my reviews

I went to see this film last night at the Melbourne International Film Festival. I must admit that the only reason I went was that the film is set in the city I was born and where I lived for the first two decades of my life. The story of Mary and Enzo was interesting and could have been very poignant. However, it was engulfed by a messy and incoherent collection of images from a bygone era which made no sense at all and added nothing to the story. It felt like a film student project where the student had been given full access to old footage and went for broke. It was obvious that the film attempted to recreate the poetic atmosphere of a Terence Davies production. In Davies's films all the component work harmoniously together. In this case, all the components fell apart and crushed loudly against the rocky beaches of the Genoese coastline. And sadly, the power of the story of Many and Enzo was weakened by the effort.


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