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Amour (2012)

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Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

Director:

Michael Haneke

Writer:

Michael Haneke (screenplay)
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Popularity
3,926 ( 101)
Won 1 Oscar. Another 78 wins & 103 nominations. See more awards »

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Cast

Complete credited cast:
Jean-Louis Trintignant ... Georges
Emmanuelle Riva ... Anne
Isabelle Huppert ... Eva
Alexandre Tharaud Alexandre Tharaud ... Alexandre
William Shimell ... Geoff
Ramón Agirre Ramón Agirre ... Concierge's Husband
Rita Blanco Rita Blanco ... Concierge
Carole Franck Carole Franck ... Nurse #1
Dinara Drukarova ... Nurse #2 (as Dinara Droukarova)
Laurent Capelluto ... Police Officer #1
Jean-Michel Monroc Jean-Michel Monroc ... Police Officer #2
Suzanne Schmidt Suzanne Schmidt ... Neighbour
Damien Jouillerot Damien Jouillerot ... Paramedic #1
Walid Afkir Walid Afkir ... Paramedic #2
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Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Austria | France | Germany

Language:

French | English

Release Date:

20 September 2012 (Germany) See more »

Also Known As:

Amour See more »

Filming Locations:

France See more »

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Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

€214,179 (France), 28 October 2012, Limited Release

Opening Weekend USA:

$68,266, 21 December 2012, Limited Release

Gross USA:

$6,739,492

Cumulative Worldwide Gross:

$29,844,753
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Not a word of the script was changed during production. The film was shot exactly as it was written, word for word. See more »

Goofs

At the end of the movie, when Georges is writing the letter, the sound of the pen scratching the paper does not match up. See more »

Quotes

Anne: You are a monster sometimes.
See more »

Connections

Referenced in Saturday Night Live: Jennifer Lawrence/The Lumineers (2013) See more »

Soundtracks

Impromptu opus 90 - no1
Franz Schubert
Interprétés au piano par Alexandre Tharaud
See more »

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User Reviews

 
Haneke's best film to date
29 November 2012 | by Sir_AlfredSee all my reviews

Amour (2012) Dir. Michael Haneke

Just when I thought Michael Haneke could surprise me no more, he comes along with a film like this. A film for which the jury at Cannes gave him his 2nd Palme d'Or in four years. And nothing less than this film deserves.

The story of an elderly French couple, their deteriorating health and devotion to each other is the basis, and allows the Austrian auteur to inject something rarely if ever seen in any of his films to date, heart.

Some of the typical Haneke touches are still there; the suffocating sense that something terrible is going to happen being his signature. His previous film, the 2008 Palme d'Or winning The White Ribbon keeps up this omnipresent dread for almost its entire runtime (also see the deus ex machina in Funny Games, and continuous sense of dread in Hidden). With these films Haneke has proved himself to be the biggest audience manipulator since the greatest of them all, Alfred Hitchcock.

But there's nothing artificially manipulative in Amour. And there's none of the sentimentality less able directors would fall back on given the film's subject matter. The acting and characterisation so good that sentiment is never needed, and is in fact the very last thing you'd come across in a Haneke picture.

The emotion felt towards the two protagonists as they struggle with coming to the end of their lives actually gave me a crushing sensation in my chest by the end of the runtime. This is an extremely tough film to watch at times, and on more than one occasion I had to look away from the screen.

The biggest compliment I can give this film, is that it make me want to call my parents.

5/5 stars. #1 film of the year so far.


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