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Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

Director:

Michael Haneke

Writer:

Michael Haneke (screenplay)
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4,077 ( 166)
Won 1 Oscar. Another 78 wins & 103 nominations. See more awards »

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Cast

Complete credited cast:
Jean-Louis Trintignant ... Georges
Emmanuelle Riva ... Anne
Isabelle Huppert ... Eva
Alexandre Tharaud Alexandre Tharaud ... Alexandre
William Shimell ... Geoff
Ramón Agirre Ramón Agirre ... Concierge's Husband
Rita Blanco Rita Blanco ... Concierge
Carole Franck Carole Franck ... Nurse #1
Dinara Drukarova ... Nurse #2 (as Dinara Droukarova)
Laurent Capelluto ... Police Officer #1
Jean-Michel Monroc Jean-Michel Monroc ... Police Officer #2
Suzanne Schmidt Suzanne Schmidt ... Neighbour
Damien Jouillerot Damien Jouillerot ... Paramedic #1
Walid Afkir Walid Afkir ... Paramedic #2
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Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Austria | France | Germany

Language:

French | English

Release Date:

20 September 2012 (Germany) See more »

Also Known As:

Amour See more »

Filming Locations:

France See more »

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Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

€214,179 (France), 28 October 2012, Limited Release

Opening Weekend USA:

$68,266, 21 December 2012, Limited Release

Gross USA:

$6,739,492

Cumulative Worldwide Gross:

$29,844,753
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film was shot completely on a constructed set. The windows were green screen and were digitally added later. See more »

Goofs

When Georges and Anne are eating together he first cuts her food for her with a Laguiole knife. Later on he is holding a classic knife with a round point. See more »

Quotes

Anne: It's beautiful.
Georges: What?
Anne: Life. So long.
See more »

Connections

Featured in What Is Cinema? (2013) See more »

Soundtracks

Impromptu opus 90 - no1
Franz Schubert
Interprétés au piano par Alexandre Tharaud
See more »

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User Reviews

 
Certainly Accomplished, But It Left Me Cold
23 February 2013 | by evanston_dadSee all my reviews

I thought I was going to be deeply affected by "Amour," based on my experience with Michael Haneke's "The White Ribbon" and the film's premise. My wife and I just recently watched her father degenerate physically and mentally over the last few years until his recent death, so the closeness to me of the subject matter combined with Haneke's uncompromising approach to filmmaking made me feel sure that I would be deeply disturbed by his film.

And while I was watching it, I felt like I should be feeling that way, but never really did. It's by any definition a formidable piece of filmmaking, but it left me cold. The events depicted in the film count among my worst nightmares and are even more terrifying for the significant likelihood that I will have to experience them in some fashion. But I never forgot that I was watching actors performing in a movie. There's something about Haneke's style that's cold and clinical, and the same quality that can make his movies deeply disturbing can also make them inaccessible.

To be honest, I'm kind of glad Haneke's style kept me at an emotional distance from the film, because I think it might otherwise have been unendurable.

Grade: A-


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