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Only God Forgives (2013)

R | | Crime, Drama | 22 May 2013 (France)
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Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
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Cast

Cast overview, first billed only:
Ryan Gosling ... Julian
Kristin Scott Thomas ... Crystal
Vithaya Pansringarm ... Chang
Gordon Brown Gordon Brown ... Gordon
Yayaying Rhatha Phongam ... Mai
Tom Burke ... Billy
Sahajak Boonthanakit ... Kim
Pitchawat Petchayahon Pitchawat Petchayahon ... Phaiban
Charlie Ruedpokanon ... Daeng
Kowit Wattanakul Kowit Wattanakul ... Choi Yan Lee (as Kovit Wattanakul)
Wannisa Peungpa Wannisa Peungpa ... Kanita
Narucha Chaimareung Narucha Chaimareung ... Papa San
Danai Thiengdham Danai Thiengdham ... Waiter / Li Po
Wittchuta Watjanarat Wittchuta Watjanarat ... Ma Fong
Nophand Boonyai Nophand Boonyai ... Charlie Ling
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Storyline

Bangkok. Ten years ago Julian killed a man and went on the run. Now he manages a Thai boxing club as a front for a drugs operation. Respected in the criminal underworld, deep inside, he feels empty. When Julian's brother murders an underage prostitute, the police call on retired cop Chang - the Angel of Vengeance. Chang allows the father to kill his daughter's murderer, then 'restores order' by chopping off the man's right hand. Julian's mother Crystal - the head of a powerful criminal organization - arrives in Bangkok to collect her son's body. She dispatches Julian to find his killers and 'raise hell'. Written by www.joblo.com

Plot Summary | Plot Synopsis

Taglines:

Time to Meet The Devil

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong bloody violence including grisly images, sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [France]

Country:

Denmark | France | USA | Sweden | Belgium

Language:

English | Thai

Release Date:

22 May 2013 (France) See more »

Also Known As:

Só Deus Perdoa See more »

Filming Locations:

Bangkok, Thailand See more »

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Box Office

Budget:

$4,800,000 (estimated)

Opening Weekend USA:

$313,958, 21 July 2013, Limited Release

Gross USA:

$778,565, 1 September 2013

Cumulative Worldwide Gross:

$9,743,738, 18 August 2013
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Nicolas Winding Refn got the idea for the film while his wife was pregnant with their second daughter. He felt very existentialistic and felt he had much anger and violence in him, but did not know how to let it out. Suddenly he had the idea that the definite person to hold all the answers to existential questions and life's problems was God and imagined himself having a physical fight with God. See more »

Goofs

After the fight of the opening scene, the arm of the winner is raised by the referee and the defeated fighter is picked up by his helpers in blue. When the camera cuts to the other side of the ring, this is shown again. See more »

Quotes

[first lines]
Julien: [in Thai] Go.
See more »

Crazy Credits

The very first credit to come up at the end of the film is a dedication reading "for Alejandro Jodorowsky". See more »

Connections

Referenced in Fiends on the Run (2017) See more »

Soundtracks

Ask Him Why He Killed My Brother
Composed by Cliff Martinez & Gregory Tripi
(p) & © 2013 Gaumont & Wild Bunch under exclusive license to Milan Entertainment Inc.
See more »

Frequently Asked Questions

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User Reviews

 
An atmospheric tale of revenge, and not the sequel for Drive
24 May 2013 | by toinou328See all my reviews

Critics have gone way too hard on this movie. Lots of violent, strange et slow films have been presented at the Cannes film festival since its creation but yet every time a film pushes the boundaries of violence while keeping its own style, most critics go mad and sometimes shout at the screening, even leaving the theater before the end and calling it "outrageous". This film, along with "Anti-Christ" is a perfect example of the type of scandals that go on at Cannes for quite stupid reasons.

First of all, forget about Drive. If you know Nicolas Winding Refn's style and like it then you'll enjoy this movie but if you've only seen Drive and believe this is going to be in the same style (because of the same actor, similar cinematography, same musical style...) believe me you'll be disappointed. The trailer might give this impression, but this film is very different. The director had already made other movies just like this, but they did not encounter a really large audience. His works were mostly known by cinephiles, artsy people and intellectuals interested in film analysis (in a general way of course). Drive was his first really big success and also his first film taking place in America, starring a worldwide known star (Gosling) and going deep into its message while keeping a more specific style than his other films.

Here Refn feels a lot more philosophical, and comes back to his original style in directing films such as Valhalla Rising : great visuals, slow-pasted action, scenes that seem a bit detached from one-another, deep character development, little dialogue, extreme violence mixed with soft and/or trance-electro music... all of which are here to deal with philosophical, deep, hard subjects like revenge, good and bad, mother/son relationship etc...

When it comes to the acting Gosling does not disappoints however this time Refn wanted to do the opposite that he did in Drive : showing the weakness of his character. Also, even though he does pull-off a very convincing performance, Kristin Scott Thomas is surprisingly captivating and gives her character a much more "real" dimension than it could have been (like it is most of the time, when a woman is supposed to play a drug-lord badass). But saving the best for the end, Vithaya Pansringarm, an actor totally unknown to me until know, plays wonderfully his role as the mystical bad guy, and really did surprise me by the quality of his acting. He completely understood the movie's atmosphere and makes his character feel mysterious and fascinating.

To sum-up this is a very atmospheric, deep movie with great actors/actresses and dealing with difficult and serious themes, with some philosophical analysis possible, but definitely not in the same style as Drive, even though it has some similarities with it.


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