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Only God Forgives (2013)

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Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
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14 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Julian
Kristin Scott Thomas ... Crystal
Vithaya Pansringarm ... Chang
Gordon Brown Gordon Brown ... Gordon
Yayaying Rhatha Phongam ... Mai
Tom Burke ... Billy
Sahajak Boonthanakit ... Kim
Pitchawat Petchayahon Pitchawat Petchayahon ... Phaiban
Charlie Ruedpokanon ... Daeng
Kowit Wattanakul Kowit Wattanakul ... Choi Yan Lee (as Kovit Wattanakul)
Wannisa Peungpa Wannisa Peungpa ... Kanita
Narucha Chaimareung Narucha Chaimareung ... Papa San
Danai Thiengdham Danai Thiengdham ... Waiter / Li Po
Wittchuta Watjanarat Wittchuta Watjanarat ... Ma Fong
Nophand Boonyai Nophand Boonyai ... Charlie Ling
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Storyline

Bangkok. Ten years ago Julian killed a man and went on the run. Now he manages a Thai boxing club as a front for a drugs operation. Respected in the criminal underworld, deep inside, he feels empty. When Julian's brother murders an underage prostitute, the police call on retired cop Chang - the Angel of Vengeance. Chang allows the father to kill his daughter's murderer, then 'restores order' by chopping off the man's right hand. Julian's mother Crystal - the head of a powerful criminal organization - arrives in Bangkok to collect her son's body. She dispatches Julian to find his killers and 'raise hell'. Written by www.joblo.com

Plot Summary | Plot Synopsis

Taglines:

Time to Meet The Devil

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong bloody violence including grisly images, sexual content and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [France]

Country:

Denmark | France | USA | Sweden

Language:

English | Thai

Release Date:

22 May 2013 (France) See more »

Also Known As:

Só Deus Perdoa See more »

Filming Locations:

Bangkok, Thailand See more »

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Box Office

Budget:

$4,800,000 (estimated)

Opening Weekend USA:

$313,958, 21 July 2013, Limited Release

Gross USA:

$778,565, 1 September 2013

Cumulative Worldwide Gross:

$9,743,738, 18 August 2013
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In an interview with director William Friedkin, Nicolas Winding Refn mentioned that he considers this film to be a masterpiece. Friedkin proceeded to ask for an ambulance for Refn and berate him. See more »

Goofs

After the fight of the opening scene, the arm of the winner is raised by the referee and the defeated fighter is picked up by his helpers in blue. When the camera cuts to the other side of the ring, this is shown again. See more »

Quotes

[first lines]
Julien: [in Thai] Go.
See more »

Connections

References El Topo (1970) See more »

Soundtracks

Chang Vision
Performed by The City of Prague Philharmonic Orchestra
Conductor Richard Hein
Orchestrated By, Mixed By Kristian Eidnes Andersen
Composed by Cliff Martinez & Gregory Tripi
Published by La Marguerite and Wild Bunch Publishing
(p) & © 2013 Gaumont & Wild Bunch under exclusive license to Milan Entertainment Inc.
See more »

Frequently Asked Questions

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User Reviews

 
Quite possibly the most tedious revenge movie ever made.
1 June 2014 | by BA_HarrisonSee all my reviews

Drive, the previous movie from director Nicholas Winding Refn and actor Ryan Gosling, utilised a deliberate and rather stilted style that not only resulted in a unique air of cool but which also had the effect of making the movie's explosive scenes of violence more impactful. In Only God Forgives, Refn and Gosling repeat this sparing, slow-burn technique, but take it to the nth degree; this time around the effect is to completely bore the crap out of the viewer.

Quite simply, Only God forgives has got to be one of the most excruciating exercises in cinema it has ever been my misfortune to witness. Every pan, track or zoom is agonisingly drawn out, the camera movement often being almost imperceptible. A good percentage of scenes comprise of corridors, or people not moving, or people moving very slowly, or karaoke performances (slow songs, of course). Virtually every scene is lit in either red or blue, which gets extremely irritating. Gosling's brooding expression remains the same throughout the entire film. Conversations take an age to unfold. Minutes seem like hours. Hours seem like days. Time eventually loses all meaning.

Even the film's few scenes of brutal violence are shot in such a way as to render them totally boring.

Art-house types will love the film (or at least pretend to), finding hidden meaning and symbolism in its languorous plot and mind-bogglingly dull execution, but most right-minded people will quite rightly dismiss this for the utter garbage that it is.


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