At a two-day business conference, God (Simon Callow) decides to romantically pair Terry, a moral crusader, with his "win-at-all-cost" antithesis, Jacqui. However, fate, assisted by unique ...
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Set at the end of the '60s, as Swaziland is about to receive independence from Great Britain, the film follows the young Ralph Compton, at 12, through his parents' traumatic separation, ... See full summary »
Richard E. Grant
18-year-old Louise is stuck in a run-down girls' boarding school in the heart of the English countryside. Her only consolation, during the long cold nights, is Matthew, the American art ... See full summary »
On the eve of retirement a middle class, judgmental snob discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister who lives on an impoverished inner-city council estate.
A family of 5 is off to granddad's big 75th birthday party at uncle's estate in rural Scotland. The parents fight and are separated and hope their 3 kids won't mention it. The kids love, can talk with and will do anything for granddad.
At a two-day business conference, God (Simon Callow) decides to romantically pair Terry, a moral crusader, with his "win-at-all-cost" antithesis, Jacqui. However, fate, assisted by unique and corrupt characters, attempt to beset God's arrangements.Written by
Acts of Godfrey (2012) is a refreshing original film equipped with a quirky sense of humour that is underlined by contemporary philosophical themes and inventive writing.
All the dialogue in this film rhymes, lending credence to the surreal, poetic ambiance that interplays with the simple aesthetics. The individual plots smoothly interweave together to provide a satisfactory sense of sociological and metaphysical questioning. The acting from Simon Callow, Ian Burfield and Doon Mackichan compliment the rhythmic dialogue whilst the narration provides adequate insight into each of the characters attending this "empowering" two-days sales course. Callow's narration also criticises the story's own tropes and plot points, which benefits the film with witty self-reflexivity.
Much of the humour is steeped in British culture, and I can imagine that those watching the film with subtitles or in another language would inevitably lose something from the original or intended experience. The film limits itself to a primarily English- speaking audience, which isn't necessarily a negative.
Overall, the film is an enjoyable watch with unique humour, poetic dialogue, and nice philosophical overtones about moral choices and love. It's an entertaining, original and low-budget British film - definitely worth a watch.
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