Critic Reviews



Based on 13 critic reviews provided by
An intelligent, visually sumptuous drama that embraces the grandeur of the Australian literary classic upon which it's based.
Village Voice
Narrative unevenness notwithstanding, those hang-ups are given delicious life by a superb Rush, Davis, and Rampling (the latter often confined to a bed and encased in elderly makeup), who prove a regally dysfunctional trio par excellence.
Schepisi is deft with the social-strata stuff, introducing a large Gosford Park–like ensemble to tease out the central trio's dysfunction. So it's a shame that both book and film tilt away from the tart-tongued exchanges, giving increasing weight to a buried trauma that feels a little soggy.
Fred Schepisi's sly, stately comedy-drama that will please fans of BBC melodramas. But even on its own merits, its mild manner has sneaky stings.
Whether she's lying in bed, her gray hair spilling out around her head, or exalting in existence itself during one of several flashbacks, Elizabeth draws you in, which works for the story and simultaneously unbalances it.
For all the talent involved, The Eye of the Storm is an incident-stuffed but lacklustre affair – a case of lots of sturm, but not enough drang – that reaches for a satiric sting and emotional depth it never achieves.
The Eye of the Storm is an ambitious stab at what might be called the Great Australian Film. The results are off-and-on impressive, but the project's ambitions turn out to be greater than its ability to achieve them.
Good acting and some very good scenes don't quite add up to a good film.
Geoffrey Rush and Judy Davis bookend a cast consisting of some of Oz's finest thesps, but Schepisi never gets a grip on a script with awkward literary tics.
Slant Magazine
This adaptation of a prize-winning Australian novel is a stodgy slog save for some sporadic moments of blunt force supplied by Judy Davis and Charlotte Rampling.

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