When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called the Shadow World.
Jamie Campbell Bower,
High school seniors Nathan and Karen find a website with photos of children who are missing or believed abducted. One of the photos is of Nathan as a child, putting into question the identities of the couple whom he's always called Mom and Dad. Contacting the site to learn more only results in Nathan becoming the target of an intense, high-tech, international manhunt. Before his "parents" can explain themselves, they are executed by hired guns, and Nathan is on the run with Karen in tow (who just happened to be there at the wrong time). Phone use by either of them only connects directly to a man claiming to be C.I.A., in whom they find reasons not to trust. With encroaching shootouts, car chases, hand-to-hand combat and explosions around them, this seems quite much for a mere case of child abduction, and Nathan can only rely on the wrestling, boxing and martial arts skills taught by his "dad" to protect both himself and Karen as they follow a lead to find Martin, Nathan's biological ...Written by
Protective headgear is required to be worn in high school wrestling in Pennsylvania (and in most of the United States), yet none of the wrestlers wear any. (Further, there are usually rules for wearing singlets in competition rather than t-shirts with sleeves ripped off and baggy running shorts, as loose clothing can ensnare and twist fingers.) See more »
Whoo-hoo-hoo-hoo-hoo-hoo-hoo! Whoo! Yeah, baby! Yeah, Gilly, get out here!
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Blame It on the Boom Boom
Written by Ben Wells, Jon Lawhon, John Fred Young and Chris Robertson
Performed by Black Stone Cherry
Courtesy of Roadrunner Records
By arrangement with Warner Music Group Film & TV Licensing See more »
If you are a female fan of the "Twilight" series, there is probably only one thing you need to know about this movie: yes, lead star Taylor Lautner takes off his shirt at the slightest excuse to show off those washboard abs.
For those who are not interested in Lautner, I am afraid there's ABSolutely nothing in "Abduction" for you - unless you like half-baked spy thrillers, lame acting and asinine script.
The plot is about high school student Nathan Price (Taylor Lautner) who stumbles upon an image of himself as a little boy on a missing persons website. He realises that his parents (Maria Bello and Jason Isaacs) are not his own and that his life is a lie. As Nathan starts to search for his true identity and his biological parents, he is being targeted by a team of rogue agents, forcing him to flee with his neighbor, Karen (Lily Collins). He begins to realize that his fabricated life is hiding a dangerous truth.
In writing this screenplay, I suspect that writers Shawn Christensen and Jeffrey Nachmanoff must have pieced together ideas from The Bourne Identity and the recent Hanna - and come out with this harebrained plot. But the truth could be that director John Singleton and the film-makers do not really care about the plot: they just want an excuse to show heart-throb Lautner and Collins on the run from some baddies (who included Swedish icon Michael Nyqvist of "The Girl With The Dragon Tattoo") in order to film some action sequences.
Indeed, many films have gotten away with idiotic plots - provided they have stars that audiences could root for. Alas, Lautner seems incapable of having more than a couple of expressions and he can't act to save his life. Neither can Collins despite the strong support of veterans like Sigourney Weaver (as Nathan's shrink) and Alfred Molina (as a CIA exec). All through the first half, Singleton keeps the audience wondering why Nathan is being chased and in the second half, his aim is probably to keep them from walking out of the cineplex. ABS-olutely for Lautner fans. (limchangmoh.blogspot.com)
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