A young solicitor travels to a remote village where he discovers that the vengeful ghost of a scorned woman is terrorizing the locals.A young solicitor travels to a remote village where he discovers that the vengeful ghost of a scorned woman is terrorizing the locals.A young solicitor travels to a remote village where he discovers that the vengeful ghost of a scorned woman is terrorizing the locals.
- Director
- Writers
- Susan Hill(novel)
- Jane Goldman(screenplay)
- Stars
Top credits
- Director
- Writers
- Susan Hill(novel)
- Jane Goldman(screenplay)
- Stars
- Awards
- 5 wins & 14 nominations
Videos9
- Director
- Writers
- Susan Hill(novel)
- Jane Goldman(screenplay)
- All cast & crew
- See more cast details at IMDbPro
Storyline
In London, solicitor Arthur Kipps still grieves over the death of his beloved wife Stella on the delivery of their son Joseph four years before. His employer gives him a last chance to keep his job, and he is assigned to travel to the remote village of Crythin Gifford to examine the documentation of the Eel Marsh House that belonged to the recently deceased Mrs. Drablow. Arthur befriends Daily on the train and the man offers a ride to him to the Gifford Arms inn. Arthur has a cold reception and the owner of the inn tells that he did not receive the request of reservation and there is no available room. The next morning, Arthur meets solicitor Jerome who advises him to return to London. However, Arthur goes to the isolated manor and soon he finds that Eel Marsh House is haunted by the vengeful ghost of a woman dressed in black. He also learns that the woman lost her son, drowned in the marsh, and she seeks revenge, taking the children of the terrified locals. —Claudio Carvalho, Rio de Janeiro, Brazil
- Taglines
- Do you believe in ghosts?
- Genres
- Motion Picture Rating (MPAA)
- Rated PG-13 for thematic material and violence/disturbing images
- Parents guide
Did you know
- TriviaThe boy who plays Daniel Radcliffe's son is his real godson, casting suggested by Radcliffe himself, which helped him establish an authentic relationship between father and son.
- GoofsWhen Arthur Kipps (Daniel Radcliffe) first reaches Gifford Arms Inn in Sam Daily's (Ciarán Hinds) car, it is raining heavily and Arthur is shown with his clothes wet. When it cuts to the next scene where Arthur talks to the innkeeper Fisher (Shaun Dooley) at the reception counter, Arthur's clothes are suddenly dry. In the next scene still at the reception, his clothes are wet again.
- Quotes
Arthur Kipps: You don't believe me, do you?
Daily: I believe even the most rational mind can play tricks in the dark.
- Alternate versionsThe UK cinema version was cut visually by six seconds to secure a 12A rating. In addition to this, some substitutions were also made by the distributor. This included darkening some shots to reduce the impact of their graphic/horrific nature, and reducing the sound levels in others. Some of these cuts in particular apply to a hanging scene and a scene of self-immolation.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.79 (2012)
- SoundtracksDie Frau in Schwarz - Titel
(uncredited)
Top review
One of my favorite horror theater experiences
I am vividly aware, as are most avid moviegoers, of the horror movie machine. It churns out Final Destinations, exorcism films, and at an even higher frequency, ghost films. At first glance, The Woman in Black appears to be yet another of these "ghost films," where cheap scares, predictable plot "twists," and horrible acting drag the viewer down into an hour-and-a-half maelstrom of mediocrity that can only end at the appearance of "Directed by..."
According to most of the reviewers thus far, The Woman in Black was a letdown. So perhaps it is because I went into the film with no expectations that I came out of it impressed and very, very shaken. I do not plan to explain the plot to you (many have done this already and there is a synopsis which does a far better job than I could), but I will argue in favor of how successfully scary this film was. Yes, it contains ghost film elements we have all seen before, but they are cleverly and patiently arranged so that the viewer becomes totally enveloped in atmospheric dread. Sure, there are "jump" scares, but these are also complimented by many shots which unfold slowly and effectively. It sometimes reminded me of the 1961 film, The Innocents, if that gives you a better idea. Radcliffe is also a worthy focal point of the film, keeping most of the fear and anticipation unspoken throughout.
I would not nominate this film for any kind of award, but it achieves what I believe should be the ultimate goal of all "horror" movies: to draw us in so close that when our fear manifests itself on-screen, it is already too late to turn away. It rates high as one of my favorite horror theater experiences, alongside The Descent and The Strangers.
According to most of the reviewers thus far, The Woman in Black was a letdown. So perhaps it is because I went into the film with no expectations that I came out of it impressed and very, very shaken. I do not plan to explain the plot to you (many have done this already and there is a synopsis which does a far better job than I could), but I will argue in favor of how successfully scary this film was. Yes, it contains ghost film elements we have all seen before, but they are cleverly and patiently arranged so that the viewer becomes totally enveloped in atmospheric dread. Sure, there are "jump" scares, but these are also complimented by many shots which unfold slowly and effectively. It sometimes reminded me of the 1961 film, The Innocents, if that gives you a better idea. Radcliffe is also a worthy focal point of the film, keeping most of the fear and anticipation unspoken throughout.
I would not nominate this film for any kind of award, but it achieves what I believe should be the ultimate goal of all "horror" movies: to draw us in so close that when our fear manifests itself on-screen, it is already too late to turn away. It rates high as one of my favorite horror theater experiences, alongside The Descent and The Strangers.
helpful•19174
- DinosaurAct86
- Feb 3, 2012
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Жінка у чорному
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $54,333,290
- Opening weekend US & Canada
- $20,874,072
- Feb 5, 2012
- Gross worldwide
- $128,955,898
- Runtime
- 1h 35min
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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