Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees Tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. She's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each other's dates with her.Written by
FDR (Chris Pine) calls Tuck (Tom Hardy) about a CHiPs (1977) marathon. Chris Pine's father, Robert, was a cast member on CHiPs (1977). See more »
There are at least two Jeeps used during the final chase sequence. When Tuck and FDR commandeer the the Jeep at the restaurant, it is an automatic with a column mounted gear selector. You actually see Tuck use it to put it in gear. Later during the chase sequence, the Jeep is a manual shift. There is a close-up shot of the pedals when Tuck applies the brakes and a clutch pedal is clearly visible. At the end of the scene they show a side-view of the Jeep and the shift lever is obvious coming up out of the floor. See more »
All eyes are up.
Sat cams are good.
Target is inbound.
ETA five minutes.
Mission is a go. Repeat, you are green to go. Intercept and apprehend the Heinrich brothers. Secure the device. And remember, this mission is covert.
See more »
Blu-ray editions contain an extended cut with an additional scene where Tuck hires a group of actors to play his family, whom FDR captures and replaces. This was cut to avoid an R rating, and features David Koechner and Rebel Wilson. See more »
How You Like Me Now?
Written by Arlester Christian (as Christian Arlester), Christopher William Ellul, Spencer Harrison Page, Kelvin Claude Swaby and Daniel Matthew Taylor
Performed by The Heavy
Courtesy of Counter Records
By arrangement with Zync Music Group LLC See more »
Director McG has many (many, many) haters, but I generally like his movies. I don't consider him a "misunderstood genius", nor anything similar; I just generally find his exuberant visual style and frantic energy entertaining. I found Charlie's Angels and its sequel amusing parodies of the action cinema; I liked Terminator Salvation for having found an interesting angle to the franchise; and We Are Marshall...well, that one was mediocre. Anyway, I can't defend McG with This Means War, his most recent film, because it ended up being truly horrible.
The most important problem from This Means War is its screenplay, which I found incredibly weak and predictable (if you don't guess during the first minutes which one of the two gallants will stay with the girl, you haven't seen any romantic comedy in your whole life). The humor lacks of any spontaneity, the jokes are terribly predictable, and the performances are pathetic, specially Reese Witherspoon's, which feels so false and studied that I hated her character even more than the two gallants.
The action scenes lack of any suspense or emotion. There are various fights, chases and explosions, but everything is so uninspired that I wouldn't be surprised if editors Nicolas De Toth and Jesse Driebusch made a confusion with the reels and included in this film scenes from Mr. and Mrs. Smith, Knight and Day, Killers, or any other deplorable "action romantic comedy".
It's easy to note that nobody that worked in This Means War put any effort to it, and that makes it a horrible film which I suggest you to avoid by any means.
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