Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
Two CIA agents, Tuck and Frank who are also best friends, have been benched because someone's after them. Tuck is divorced with a son whom he's not close to and Frank is a ladies man. Tuck decides to try and find someone so he places his profile on a dating website. Lauren, a woman also looking for a guy sees Tuck's profile and goes with him. She later bumps into Frank and he hits on her and she goes out with him. She's intrigued by both of them. When they learn that they're dating the same girl, they agree to let her choose. But both can't help but use their skills to keep tabs on her and each other. And also sabotage each other's dates with her.Written by
The U.S. theatrical version was cut for some sex jokes to achieve a PG-13 rating. International theatrical versions were released uncut. However, the cut version was used for home video releases worldwide. See more »
There are at least two Jeeps used during the final chase sequence. When Tuck and FDR commandeer the the Jeep at the restaurant, it is an automatic with a column mounted gear selector. You actually see Tuck use it to put it in gear. Later during the chase sequence, the Jeep is a manual shift. There is a close-up shot of the pedals when Tuck applies the brakes and a clutch pedal is clearly visible. At the end of the scene they show a side-view of the Jeep and the shift lever is obvious coming up out of the floor. See more »
All eyes are up.
Sat cams are good.
Target is inbound.
ETA five minutes.
Mission is a go. Repeat, you are green to go. Intercept and apprehend the Heinrich brothers. Secure the device. And remember, this mission is covert.
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US theatrical version was cut for some sex jokes to achieve a more commercial PG-13 rating. International theatrical versions were uncut. However, the cut version was used for home video releases worldwide. See more »
Great movie--Why are critics bashing? An actually funny comedy.
Okay, critics, what the hell? I saw this movie at 7:30 at Movieland: A Bow Tie Cinema in Richmond, VA. Great theater, props! Anyways. The theater was packed. It was the biggest screen, too, but it was the only showing. If the audience reaction was anything to go on, this movie was hilarious. I certainly thought so. But not only that—it was a good movie!
Summary aside, this movie actually turned out to be one of my favorite romantic comedies and buddy comedies all in one. It was very fast-paced. It had the element of government agents, but also government agents that abuse their job's resources. There are 'bad guys' but it doesn't dominate the movie. The scenes with the bad guys start off with the preconception that they would be long and intense, but were actually only 60 seconds long and just a short break between the comedy and action. The funny parts—yes, they were funny. I was cracking up the entire time, and I don't do that often. Visually it looked amazing; watching on Blu-Ray will be spectacular. I, for one, will buy this on Blu-Ray. My roommate will thank me.
Yes, young people like myself will enjoy this movie, but it's also targeted for late twenties-late thirties people thinking about love and marriage. I saw a lot of older couples at the theaters and they were enjoying it just as much—they were laughing loudest, in fact! I'd give this movie a 9/10. Pure enjoyment.
So my issue: WTF Critics? You give this movie zero credit. Is it because of the actors? They're all great actors. Plot? Actually pretty good—somewhat predictable in hindsight but I'd still watch the movie again. Director? Supernatural and Nikita both have a fanbase, and aren't that bad with action or drama. If they actually watched the movies they wouldn't have rated it that low; I think they were going off plot summary. Back off, critics! When more people see this movie the ratings will go up! Rotten tomatoes said audience enjoyed it 71% so far, but opening day isn't even over yet. Critics give it 33%? Come on. (From tvcinema.tumblr.com (my blog) )
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