Take This Waltz (2011)

A happily married woman falls for the artist who lives across the street.

Director:

Sarah Polley

Writer:

Sarah Polley

Stars:

Michelle Williams, Seth Rogen, Sarah Silverman

3 wins & 18 nominations.

Cast

Cast overview, first billed only:
Michelle Williams	...	Margot
Seth Rogen	...	Lou
Luke Kirby	...	Daniel
Sarah Silverman	...	Geraldine
Jennifer Podemski	...	Karen
Diane D'Aquila	...	Harriet
Vanessa Carter	...	Tony (as Vanessa Coelho)
Graham Abbey	...	James
Damien Atkins	...	Aquafit Instructor
Aaron Abrams	...	Aaron
Dyan Bell	...	Dyan
Albert Howell	...	Albert
Danielle Miller	...	Danielle
Matt Baram	...	Matt
Avi Phillips	...	Avi

Storyline

While on a plane ride back to Toronto from a writing assignment, Margot meets Daniel, a handsome stranger. An immediate attraction is formed and Margot is able to open up and discuss some of her fears and longings. A taxi ride back home causes Daniel and Margot to realize that they are neighbours and Margot admits she's married. The summer-time heat and her increasing fascination with the handsome artist who lives across the street starts getting to her, and Margot is no longer sure if she's happy in her marriage or if she'd be happier with her fantasies with Daniel.

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Plot Keywords:

actress breaking typecast | husband wife relationship | love triangle | infidelity | artist | 

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for language, some strong sexual content and graphic nudity

Details

Official Sites:

Official Facebook Official site

Country:

Canada Spain Japan

Language:

English

Release Date:

6 July 2012 (Canada)

Also Known As:

Bu Dans Senin

Filming Locations:

The Royal Cinema, College Street West, Toronto, Ontario, Canada

Box Office

Opening Weekend USA:

$137,019, 1 July 2012, Limited Release

Gross USA:

$1,237,514, 23 September 2012

Company Credits

Production Co:

Joe's Daughter, Astral Media, The Harold Greenberg Fund

Technical Specs

Runtime:

116 min 91 min (censored)

Sound Mix:

Dolby Digital Dolby Digital EX (US version) Dolby Stereo (DVD version)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Writer and Director Sarah Polley chose to use the song Video Killed the Radio Star in key scenes, because it was her brother's favorite song.

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Goofs

In the beginning of the film a day passes by showing the relative movement of the sun - the light moving on the walls. The sun moves from west to east.

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Quotes

Lou: Hey Margot! I just bought a new melon baller and I'd like to gouge out your eyes with it
Margot: [smiles] Yeah, me too
Lou: Bye, Margot
Margot: Bye, Lou

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Connections

References Mon Oncle Antoine (1971)

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Soundtracks

Video Killed The Radio Star
Written by Geoff Downes, Trevor Horn and Bruce Woolley
Performed by The Buggles
Publishing Courtesy of Universal Music Publishing Group a division of Universal Music Canada Ltd.
Master Courtesy of Universal-Island Records LTD.,
under license from Universal Music Canada Inc.

User Reviews

Take This Waltz

On my first viewing of Take This Waltz, after the film was over, I said in confidence and self assuredness to the people I went to see the film with, that I did not like it. However a strange thing happened. I saw the film and was unable to write my review of it until now and in that delay of time I started thinking of the film more and more and it seemed to resonate and stay with me and there were certain scenes and just whole issues, or ideals that were brought up during the film that I gave second thought to and reconsidered. Having written my review of Take This Waltz, immediately after watching it, I would have probably have given it a rating of 6 out of 10, but as I have thought and pondered over the characters and meaning of the film and just how it makes more sense to me now and in a sense has also grown on me, I now give the film my definitive rating of 8 out of 10. On first viewing there were some things I really liked about the film such as the interesting yet hauntingly beautiful colour contrast to the homes, interiors of the homes and even what the characters wore. It gave the film a distinct look and I admired it for that. I also appreciated that we could have a serious film about people in their 20's with no use whatsoever of cell phones, the internet, or any type of social media devices. It just felt more real having not used those things and avoided being too commercial as well. The one thing that I think really got me about the first viewing of the film was how I really did not like the main character Margot, played by Michelle Williams. I found it very irritating and awkward to the point of being irritating. She didn't seem to know how to act, or behave in certain situations and when she did speak, or try to live her dreams of fantasies it all just felt and looked terribly awkward and clumsy. Take for example her baby talk with her husband, Lou. It seemed so childish and really grated on my nerves. Also the fact that she was so indecisive about everything as well. Also on first viewing I felt that perhaps not all of the characters were as developed as they could have been and overall at the end of the film I think I got what director/writer Sarah Polley was trying to say, but at that point I was not interested anymore and I did not care either. Having thought about the film for a few days I came to realize that Michelle Williams' character Margot, is not as annoying, or irritating as she once seemed and even if she is a little bit, I could now understand why. I think the point was to show a character such as Margot, who is really indecisive about life and the choices that she makes and also shows how insecure and unhappy she is. I think Margot, was really stuck in a situation that became routine and comfortable for her, but she is a restless character always wondering if there is something new and better for her elsewhere. I think Margot's awkwardness as well as nervousness shows because of how insecure and uncomfortable with life and making decisions is hard for her. She wants to do what is right, but not destroy everything she has at the same time. It also lead me to think that I have known women like Margot, and they behaved in a similar such manner as she does in the film and for the exact same reasons that I mentioned above. It is not necessarily a character flaw, but perhaps just a weakness and a stumbling block that one needs to work on. The other characters later on seemed more well developed than on first glance and the film certainly does give a lot of food for thought. I literally spent days afterwards thinking about this film and some of the powerful and heartbreaking images in it. The film is a fairly depressing watch in a lot of ways, but I could respect that about the film because any film dealing with such subject matter, should be serious and take their character's feelings and emotions to heart and all that is here. The film does still have some flaws with it's pacing and there are times where it gets swept up in it's melancholy and it can tend to drag a little bit, but there is still enough rewarding things on display here to be worth a watch, even if you have to think about the film a couple days after you watch it, or even have repeat viewings. Brave viewers should give the film a chance and think about what it says about loneliness, relationships and the myths we sometimes promise ourselves, but ultimately lie to each other and ourselves about. An intelligent and deeply thought out film worthy of an 8 out of 10 rating and not just a 6.