A scrappy, feisty, fiercely loyal Chicago family makes no apologies.A scrappy, feisty, fiercely loyal Chicago family makes no apologies.A scrappy, feisty, fiercely loyal Chicago family makes no apologies.
- Won 4 Primetime Emmys
- 17 wins & 68 nominations total
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Summary
Reviewers say 'Shameless' is acclaimed for its character depth and engaging plot, though comparisons to the British version vary. Praised for realistic family struggles and dark humor, it's noted for William H. Macy's performance. Some find it less authentic than the original, with differing character portrayals. Later seasons face criticism for inconsistent writing and a shift towards social commentary, detracting from its initial charm.
Featured reviews
I've followed the original version in the UK since it started and it's still going strong (to correct an earlier reviewer it wasn't aired on the BBC, it's a Channel Four series). I therefore approached this with apprehension. To take a loved UK program and set it in the US has a history of failures but I liked the look of the trailer and gave it a go. I have to admit that throughout the first episode I was constantly thinking 'oh she's not as good as so and so' or 'I much prefer David to William'. However there was a lot packed into that episode and the script was pretty good. Come episode two I was hooked and to honest much prefer this version.
It has cleverly achieved what the UK version has in taking a subject and a group of characters that most people should loathe and turned them into a lovable group, all beautifully portrayed. Real, rounded, believable characters and so many of them too. Many people will have been turned off this by the trailer and thought it's not for them which is a shame. It really is extremely well written with great pace and some superb performances. I love Emmy Rossum and her portrayal of Fiona is astounding. I agree that William H Macy's Frank is more likable since he isn't always drunk and Joan Cusack is perfect as Sheila (I found the UK Sheila quite annoying).
We are only up to episode 7 of the US series here in the UK and its top of my weekly viewing. Great to see they are making a second series in the US and in fact given they have plenty of material to use, since we are up to Series 8 here in the UK, I hope it has the same longevity.
It has cleverly achieved what the UK version has in taking a subject and a group of characters that most people should loathe and turned them into a lovable group, all beautifully portrayed. Real, rounded, believable characters and so many of them too. Many people will have been turned off this by the trailer and thought it's not for them which is a shame. It really is extremely well written with great pace and some superb performances. I love Emmy Rossum and her portrayal of Fiona is astounding. I agree that William H Macy's Frank is more likable since he isn't always drunk and Joan Cusack is perfect as Sheila (I found the UK Sheila quite annoying).
We are only up to episode 7 of the US series here in the UK and its top of my weekly viewing. Great to see they are making a second series in the US and in fact given they have plenty of material to use, since we are up to Series 8 here in the UK, I hope it has the same longevity.
10tomdavie
I have never watched the British version of this show so I cannot comment on the original. I was under the impression it was a new Showtime story.
I have to admit that started watching because I have always been a fan of William H Macy. However, viewing Macy in this kind of role was startling . I had always seen him in more conventional-almost typecast - parts. I knew that Joan Cusak was a quality actress which lent the project some further credibility.
At first the show seemed to be almost forced. The plot seemed bizarre, and unbelievable. It seemed awkward. Its quite common for shows to take time to develop chemistry when the actors haven't defined their characters yet. The same can be said for the writers.
However, I had never seen anything like it. In that regard it was dynamic and worth the time. The young actors soon found their roles and by the 5th episode I found myself thinking about the show every day.
Now I cant stop watching. Im addicted. The actors are fantastic. The plots are far more developed. The supporting players play a big part in the series, and new characters keep rotating in flawlessly. The show has evolved .
And just for the record, Im getting really sick and tired of people trashing the show because in their minds it doesn't measure up to the original. Its not supposed to be the original. If you don't like it, stick with the British show.
I have to admit that started watching because I have always been a fan of William H Macy. However, viewing Macy in this kind of role was startling . I had always seen him in more conventional-almost typecast - parts. I knew that Joan Cusak was a quality actress which lent the project some further credibility.
At first the show seemed to be almost forced. The plot seemed bizarre, and unbelievable. It seemed awkward. Its quite common for shows to take time to develop chemistry when the actors haven't defined their characters yet. The same can be said for the writers.
However, I had never seen anything like it. In that regard it was dynamic and worth the time. The young actors soon found their roles and by the 5th episode I found myself thinking about the show every day.
Now I cant stop watching. Im addicted. The actors are fantastic. The plots are far more developed. The supporting players play a big part in the series, and new characters keep rotating in flawlessly. The show has evolved .
And just for the record, Im getting really sick and tired of people trashing the show because in their minds it doesn't measure up to the original. Its not supposed to be the original. If you don't like it, stick with the British show.
I don't leave reviews very often but I had to for this show. I have not seen the UK version and don't really care to because this show is just top notch. I had never heard of this show since I work overseas but ended up catching the 5th episode and absolutely loved it. I told all of the guys in the fire station about it and ever since we have had to catch up on all of the previous episodes. Everyone in the department loves this show and that is a hard thing to do. All of the characters are just great and have so many flaws. William H. Macy does an awesome job as the dysfunctional father. I gave it the highest review I think a show can receive because I don't think there is a perfect show, but this comes darn close. I definitely recommend this show.
I'll start by saying that if you have watched the UK version of this (Which by the way was made by Channel 4 and Company Pictures and NOT the BBC as these other reviews suggest) You probably won't enjoy this first episode. Its a straight transition of the script with some adjustments.
However having seen shows that were changed beyond all recognition I can say that is a good thing.
The cast are excellent in their roles and the story which is far from the usual tame fodder of American drama is handled with honesty and realism. The characters mostly have their own interests to consider as well as the kids trying to keep their family together.
William H Macy is ideal in a role which doesn't allow him much initial screen time but I'm sure future episodes will focus on him since Frank is such a fascinating character. Can't wait for episode 2.
However having seen shows that were changed beyond all recognition I can say that is a good thing.
The cast are excellent in their roles and the story which is far from the usual tame fodder of American drama is handled with honesty and realism. The characters mostly have their own interests to consider as well as the kids trying to keep their family together.
William H Macy is ideal in a role which doesn't allow him much initial screen time but I'm sure future episodes will focus on him since Frank is such a fascinating character. Can't wait for episode 2.
I've grown up with the original Shameless. It's a fast paced Comedy-Drama like no other, in that it lends itself perfectly to both without apology or hesitation.
Whereas the British original finds it's characters living, fornicating, screaming and jumping in the revelry of zero-expectation in a rigid class system, the American remake masterfully equivocates the triumphs and the tribulations of a lower class family existing on the edge of acceptability at the heart of society in a flawless, delicate and shameless manner.
The pilot introduces the characters, much like their British counterparts, not in an effort to garner their sympathy but simply as a statement of fact. The aspiring teen marine struggling to hide his homosexuality only fears losing the love of his brother, the absent drunk dad who loves his children but through the haze becomes a heckling prophet - a Shakespearean fool who sees through the thin veil of sanity and order, a young woman struggling to keep the family together seeing a way out through a handsome highwayman. These people are not bad even if they do bad things. Society has forgot about them and for that they couldn't care less for it.
The whole cast is tremendous but William H. Macy rises to the occasion with the father, a Frank Gallagher straight out of a bar in Memphis at 3 a.m. on a Wednesday, last orders, don't interrupt him because he hasn't finished yet, he's got to tell you what's wrong with the world before he wakes up and it all ends. You would believe this guy was a war vet or something with the confidence and delirium at which he pontificates.
No matter what your race or background you can take something away from Shameless. Most television that likes to call itself Comedy, Drama, or both, tends towards a particular demographic, offering an escape fantasy for, say, the 'off-beat' teens in Glee or the sexually deviant young adults in True Blood or the repressed housewives in that show about the repressed housewives.
As the designated guardian's new boyfriend takes a seat at the head of the table, he pushes Frank's legs aside as he crashes drunk on the floor. Shameless doesn't escape anything, it lives in the world it is given and every so often reminds you, during those joyously chaotic scenes, that the sweetest lemonade is almost bitter, so it's just as well every episode is only an hour for you to laugh, cry and enjoy.
Moments of anarchic jubilation inter lap, run over and sometimes juxtapose flourishes of near-the-bone reality, served eloquently on a fresh platter to which America needs to to have the stomach for.
Whereas the British original finds it's characters living, fornicating, screaming and jumping in the revelry of zero-expectation in a rigid class system, the American remake masterfully equivocates the triumphs and the tribulations of a lower class family existing on the edge of acceptability at the heart of society in a flawless, delicate and shameless manner.
The pilot introduces the characters, much like their British counterparts, not in an effort to garner their sympathy but simply as a statement of fact. The aspiring teen marine struggling to hide his homosexuality only fears losing the love of his brother, the absent drunk dad who loves his children but through the haze becomes a heckling prophet - a Shakespearean fool who sees through the thin veil of sanity and order, a young woman struggling to keep the family together seeing a way out through a handsome highwayman. These people are not bad even if they do bad things. Society has forgot about them and for that they couldn't care less for it.
The whole cast is tremendous but William H. Macy rises to the occasion with the father, a Frank Gallagher straight out of a bar in Memphis at 3 a.m. on a Wednesday, last orders, don't interrupt him because he hasn't finished yet, he's got to tell you what's wrong with the world before he wakes up and it all ends. You would believe this guy was a war vet or something with the confidence and delirium at which he pontificates.
No matter what your race or background you can take something away from Shameless. Most television that likes to call itself Comedy, Drama, or both, tends towards a particular demographic, offering an escape fantasy for, say, the 'off-beat' teens in Glee or the sexually deviant young adults in True Blood or the repressed housewives in that show about the repressed housewives.
As the designated guardian's new boyfriend takes a seat at the head of the table, he pushes Frank's legs aside as he crashes drunk on the floor. Shameless doesn't escape anything, it lives in the world it is given and every so often reminds you, during those joyously chaotic scenes, that the sweetest lemonade is almost bitter, so it's just as well every episode is only an hour for you to laugh, cry and enjoy.
Moments of anarchic jubilation inter lap, run over and sometimes juxtapose flourishes of near-the-bone reality, served eloquently on a fresh platter to which America needs to to have the stomach for.
Storyline
Did you know
- TriviaUnusual for a television show, creator John Wells has a very strict policy of no scripts allowed on-set. The actors and actresses have to know their lines by heart.
- GoofsThe Gallaghers constantly refer to their address as North Wallace St. There is no North Wallace St. in Chicago, only South Wallace. Also, streets on the south side do not have "North" as part of their name, hence north side and south side. However, since it is a fictional series, the name of the Gallaghers' home street makes sense so as to not offend anyone living on a real-life street of Chicago.
- Quotes
Mickey Milkovich: I've got an idea.
Lip Gallagher: We're not going to murder anyone.
Mickey Milkovich: I don't have any ideas.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Mat Day
- Filming locations
- 2119 S Homan Ave, Chicago, Illinois, USA(Gallagher House)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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