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Mortal Engines (2018)

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2:25 | Trailer
In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.

Director:

Christian Rivers

Writers:

Fran Walsh (screenplay by), Philippa Boyens (screenplay by) | 2 more credits »
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Popularity
81 ( 50)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hera Hilmar ... Hester Shaw
Robert Sheehan ... Tom Natsworthy
Hugo Weaving ... Thaddeus Valentine
Jihae ... Anna Fang (as Jihae Kim)
Ronan Raftery ... Bevis Pod
Leila George ... Katherine Valentine
Patrick Malahide ... Magnus Crome
Stephen Lang ... Shrike
Colin Salmon ... Chudleigh Pomeroy
Mark Mitchinson ... Vambrace
Regé-Jean Page ... Captain Khora
Menik Gooneratne ... Sathya
Frankie Adams ... Yasmina Rashid
Leifur Sigurdarson ... Nils Lindstrom
Kahn West Kahn West ... Toa Heke
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Storyline

A mysterious young woman, Hester Shaw, emerges as the only one who can stop a giant, predator city on wheels devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy, an outcast from London, along with Anna Fang, a dangerous outlaw with a bounty on her head.

Plot Summary | Plot Synopsis

Taglines:

Some scars never heal.


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of futuristic violence and action | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | New Zealand

Language:

English

Release Date:

14 December 2018 (USA) See more »

Also Known As:

Mortal Engines See more »

Filming Locations:

Wellington, New Zealand See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$7,559,850, 16 December 2018

Gross USA:

$15,951,040

Cumulative Worldwide Gross:

$83,672,673
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The Mad Max (1979) movies are considered a possible influence behind the movie. See more »

Goofs

At several points, Shrike manages to catch up with Hester, even going so far as to know which specific room she is in at Airhaven. Yet it is never explained how he is able to effortlessly track her. See more »

Quotes

Thaddeus Valentine: He's afraid. He's trying to hang on to a way of life that doesn't exist anymore. Municipal Darwinism. It's a dying system. Prey has all but gone. Soon, there'll be nothing left.
See more »

Crazy Credits

The Universal logo shows the Sixty Minute War occurring across the Earth. See more »

Connections

Referenced in Shattered Stars: A Deepness Within (2019) See more »

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User Reviews

 
Better than expected
10 March 2019 | by danielfnemesSee all my reviews

When I heard the name and concept of the movie (it's about big cities on wheels) I thought wtf, what a stupid idea and wasted talent and money on CGI. However I found the movie to be pretty entertaining. The good parts:

  • as everyone else mentioned in their reviews: the visuals/CGI. Beautiful scenery and sets, vibrant colors, spectaculars battles, very good cinematography
  • very dynamic. There is almost non stop action and anticipation. No bathroom time.
  • strong performance of Hugo Weaving
  • strong performance of Stephen Lang and CGI team for Shrike character


Now, if you think of the movie as a modern fairy tale for children and teenagers than it is more than ok. If you expect more... Well, here are the bad things:
  • the concept itself lacks any logic. After a world war destroys the advanced stage of evolution the humanity have reached, the remaining humans build huge mobile islands on land that move on tracks or wheels or legs to scavenge... something. While others build a great city defended by a wall.
  • as others have mentioned, the movie tries to fit a lot of things from the books in two hours and it fails. The characters have no depth, no complexity and there is no real emotional attachment to them
  • too much resemblance to Mad Max
  • there are no big names involved except for Hugo Weaving and of course Peter Jackson as a writer
  • the plot is predictable, with holes and its main purpose is to justify the action and special effects. Annoying cliches both in characters, lines and story (the wise old Asian, the warrior girl, etc). Oh and yeah, SPOILER ALERT there is a genuine "I am your father" moment...


However the movie manages to entertain. It is a pity it was a box office flop. Probably because of the concept itself which is hard to sell, the lack of efficient marketing, the bad critic reviews and mostly the lack of big names that would draw interest. Not to mention the competition with other movies launched in the same period such as Aquaman.

Conclusion: you will not regret seeing the movie if you want to see a visually stunning modern fairy tale. But don't expect Lord of The Rings.


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