6.2/10
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605 user 176 critic

Mortal Engines (2018)

Trailer
2:25 | Trailer
In a post-apocalyptic world where cities ride on wheels and consume each other to survive, two people meet in London and try to stop a conspiracy.

Director:

Christian Rivers

Writers:

Fran Walsh (screenplay by), Philippa Boyens (screenplay by) | 2 more credits »
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Popularity
40 ( 21)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Hera Hilmar ... Hester Shaw
Robert Sheehan ... Tom Natsworthy
Hugo Weaving ... Thaddeus Valentine
Jihae ... Anna Fang
Ronan Raftery ... Bevis Pod
Leila George ... Katherine Valentine
Patrick Malahide ... Magnus Crome
Stephen Lang ... Shrike
Colin Salmon ... Chudleigh Pomeroy
Mark Mitchinson ... Vambrace
Regé-Jean Page ... Captain Khora
Menik Gooneratne ... Sathya
Frankie Adams ... Yasmina Rashid
Leifur Sigurdarson ... Nils Lindstrom
Kahn West Kahn West ... Toa Heke
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Storyline

A mysterious young woman, Hester Shaw, emerges as the only one who can stop a giant, predator city on wheels devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy, an outcast from London, along with Anna Fang, a dangerous outlaw with a bounty on her head.

Plot Summary | Plot Synopsis

Taglines:

Some scars never heal.


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of futuristic violence and action | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

New Zealand | USA

Language:

English

Release Date:

14 December 2018 (USA) See more »

Also Known As:

Mortal Engines See more »

Filming Locations:

Wellington, New Zealand See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$7,559,850, 16 December 2018, Wide Release

Gross USA:

$15,951,040, 17 January 2019

Cumulative Worldwide Gross:

$80,051,040, 20 January 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Christian Rivers' first full feature film as a director. He previously directed a short and a section of an anthology, and was storyboard artist/special effects designer on Peter Jackson's Lord of the Rings and Hobbit films (who is also the producer of Mortal Engines). See more »

Goofs

At several points, Shrike manages to catch up with Hester, even going so far as to know which specific room she is in at Airhaven. Yet it is never explained how he is able to effortlessly track her. See more »

Quotes

Chudleigh Pomeroy: Sixty minutes is all it took to bring humanity to the very brink of extinction. Mankind mobilized, a new age arose. The Age of the Great Predator Cities. Survival of the Fastest.
See more »

Crazy Credits

The Universal logo shows the Sixty Minute War occurring across the Earth. See more »

Connections

References Minions (2015) See more »

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User Reviews

 
Not bad, but awful if you've read the book.
1 January 2019 | by jasonwhite-19878See all my reviews

I loved the idea, cities eating each other, but it hardly happens, the idea is introduced and then forgotten. The concept was great but I think Peter Jackson has lost the ability to adapt books. Lord of the Rings worked because the kept to the story and adapted it for screen, the Hobbit didn't work because they extended it into a bloated monster for screen and Mortal Engines fails because they have changed the story so much to make a their movie version. I didn't mind it when I first saw it, it's an ok film with great ideas that it doesn't really capitalise on but then I read the book.....

The nuanced villain has become almost comic book, despite Hugo Weaving's best efforts and the changes to make the Star Wars like ending took the tragedy from the finale. Hester seems hollow and her affection for Tom seems forced. Tom doesn't get to be our unwitting hero, with all his bravery that breaks down Hester removed and the tragic end is turned into an explosive pyrotechnic fest. Even Shrike's story is broken for no good reason, just to make Valentine even more evil and Tom less heroic. What a shame.

So, if you've not read the book, give it a go - there are far worse films - if you have, beware.


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