Roro, a foreign worker in Swedish parks, loves his girlfriend but is about to marry another girl to prevent her from being sent back to Lebanon. Roros best friend, Måns, has his own ... See full summary »
Surrounded by his family and friends Leo celebrates his 30th birthday by toasting the future. But when the party ends and Leo and his girlfriend walk home something happens that will change their lives forever...
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
Björn A. Ling,
Lena Svensson has been offered a new and exiting job in Stockholm that she can't say no to. But her husband, Gustav, has no plan of what so ever to move from his quiet little town of ... See full summary »
Chelsie Bell Dickson
Part comedy, part drama, part cultural clash; this is the kind of movie you should go out to see if you fall into the following categories: 1) You're on a night out, preferably date, with someone whose cultural background is different from your own, 2) You are a Scandinavian who simply love Scandinavian films, despite their frequent array of shortcomings, and will most certainly 'go patriotic', 3) You are desperately trying to prove to yourself that you can be politically correct in all meanings of the term, or 4) You want to see some sort of romantic comedy really, really badly and unfortunately there just isn't anything better on.
It's a quilt, but not very well stitched together. Dangling storyline(s), mostly half-hearted acting, lack of direction, no universal mantra or moral to be grasped. There seems to be no real to the characters or the situations they are in, things just happen and are sort of dealt with. Sometimes in a good ways and most of the times in ways that are quite the opposite.
The film has its moments and will probably go home well with the lovestory-seeking teen demography and likely also their older and less movie-attending peers. But those of you who have seen quite a few similar kind of movies are most likely to see its shortcomings. The upside to this film is that although not being very good, it is at the same time not very bad. And sometimes "not bad" is good enough. Mainly it serves its purpose, and on the upside Jan Fares and Torkel Petersson act splendidly in some of their scenes. And Nina Zanjani looks stunning, as always. Maybe a little too much on the Young Celine Dion side in this film, but stunning nonetheless. There are some thought-out moments and decent ideas, though too many of them seem cramped within the story and even the good ones rarely lead anywhere. My guess is that they just didn't find the time to fine-tune the script. Or maybe the didn't care? The lack of refinedness could very well point towards the latter explanation.
In total I kind of regretted spending an evening going to the screening of this film. But I still hope most of you won't feel the same way after having watched it.
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