The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.
After helping a cat, a 17-year-old girl finds herself involuntarily engaged to a cat prince in a magical world where her only hope of freedom lies with a dapper cat statuette come to life.
Director:
Hiroyuki Morita
Stars:
Chizuru Ikewaki,
Yoshihiko Hakamada,
Aki Maeda
A 12-year-old girl is sent to the country for health reasons, where she meets an unlikely friend in the form of Marnie, a young girl with long, flowing blonde hair. As the friendship ... See full summary »
Directors:
James Simone,
Hiromasa Yonebayashi
Stars:
Sara Takatsuki,
Kasumi Arimura,
Nanako Matsushima
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
After her werewolf lover unexpectedly dies in an accident while hunting for food for their children, a young woman must find ways to raise the werewolf son and daughter that she had with him while keeping their trait hidden from society.
Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate, the punishment for her crime.
Director:
Isao Takahata
Stars:
Chloë Grace Moretz,
James Caan,
Mary Steenburgen
During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.Written by
ANN
Ningen ni mirare te wa ikenai. Sore ga yukashita no kodomo-tachi no okite datta. (Do not be seen by humans. That's been the law of children of the underfloor.)
The story takes place some where in western Tokyo. Domestic cars in Japan have their steering wheels on the right side, but Aunt Sadoko's Mercedes is a left hand drive, since it is an imported car. The housekeeper Haru's red car is a right hand drive, as it is a normal, domestic Japanese car. See more »
Quotes
[last lines]
[North American version]
Shawn:
I never saw her again. But the following summer I returned and was happy to hear the people in the house down the road talking about how many things in their home had gone missing.
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This was stunning. I saw it just days after going to the Ghibli Museum in Japan, and it was breathtaking. I'm glad since I loathed the last Ghibli film I saw (Pom Poko). Arriety is the exact cure needed for such loud and obnoxious 3D CGI movies that come out every other week. It's quiet and full of soul. There are moments here that you wouldn't even get in a live action movie. Subtle moments of life and nature, that the animators could have saved time and money by not including them. Luckily for us, the details are all present. A shot lingers just long enough for a ladybird to take flight, or the mother to stir her tea after a conversation. What Ghibli understand, more than anyone, is that kids don't need bright/crass/non stop films. The quiet nature of Arriety is so relaxing, with gorgeous music from Cecile Corbel. First time director Yonebayashi shows that Ghibli has much more life and talent to give.
I was very familiar with The Borrowers, and was a bit disappointed I was getting something original from Ghibli. I'd already seen the excellent TV Mini-series and the over-the-top American film with Goodman. Ghibli have taken everything great about the story, and toned down the designs and motives, making this a realistic and engaging fantasy. The father is stoic and caring. Arriety is adventurous, but never annoying. Her heart is in the right place, but she doesn't get into a ridiculous amount of trouble. Being Ghibli we get a lovely little cat character, Niya. The designs are ace, and the world of the borrowers and the human beans merge beautifully.
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This was stunning. I saw it just days after going to the Ghibli Museum in Japan, and it was breathtaking. I'm glad since I loathed the last Ghibli film I saw (Pom Poko). Arriety is the exact cure needed for such loud and obnoxious 3D CGI movies that come out every other week. It's quiet and full of soul. There are moments here that you wouldn't even get in a live action movie. Subtle moments of life and nature, that the animators could have saved time and money by not including them. Luckily for us, the details are all present. A shot lingers just long enough for a ladybird to take flight, or the mother to stir her tea after a conversation. What Ghibli understand, more than anyone, is that kids don't need bright/crass/non stop films. The quiet nature of Arriety is so relaxing, with gorgeous music from Cecile Corbel. First time director Yonebayashi shows that Ghibli has much more life and talent to give.
I was very familiar with The Borrowers, and was a bit disappointed I was getting something original from Ghibli. I'd already seen the excellent TV Mini-series and the over-the-top American film with Goodman. Ghibli have taken everything great about the story, and toned down the designs and motives, making this a realistic and engaging fantasy. The father is stoic and caring. Arriety is adventurous, but never annoying. Her heart is in the right place, but she doesn't get into a ridiculous amount of trouble. Being Ghibli we get a lovely little cat character, Niya. The designs are ace, and the world of the borrowers and the human beans merge beautifully.