In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
On the outbreak of the First World War, Albert's beloved horse 'Joey' is sold to the Cavalry by his Father. After being sent to France, in a bid to survive, Joey has an unexpected journey across war torn Europe. Albert enlists in the British Army, and is wounded during the Battle of the Somme. Whilst recovering in Hospital, he learns of a Horse, found in no mans land.
Prior to principal photography, a number of actors did about two months of intensive horse training. See more »
The horse is shown galloping in a trench and never having to turn, suggesting the trench is long and straight. In reality, trenches were built with zig-zags so if the enemy got in, it couldn't shoot down the trench and easily hit someone. See more »
And you've never done a brave thing in your life?
Maybe there are different ways to be brave. Did you know the French have the best carrier pigeons? And this could be the difference in the war - our messages getting through.
I don't want to hear about the birds.
They are released at the front and told to go home - this is all they know. But to get there they must fly over war. Can you imagine such a thing? Here you are flying over so much pain and terror - and you know you can never look down. ...
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Very well made. A modern film reminiscent of the classics.
It is well understood from the first few scenes that the typical cliché of both war films and animal dramas will stain Spielberg's canvas, yet the film pushes forward, earning well-deserved praise. Quite a few scenes are captivating to say the least; as is the scene with the horse, Joey, forging through heavily barb-wired no man's land.
'War Horse' surely reminisces the older WW1 films, and epic war films in general, such as Lawrence of Arabia, that drag on forever, yet do not fail to keep you enthralled with their stunning visuals and top-notch acting. Jeremy Irvine's performance was acceptable for an actor fairly new to the game, as were the performances of the gamut of child actors in the film, but honorable mentions must go to Emily Watson, Niels Arestrup, and Peter Mullan. The production did a wonderful job to give the horse Joey a deeper personified image, as if he were an actor. The same goes for the other horses in the film, who seem to converse amongst each other and reveal a chemistry shared between animal and animal, as well as animal and man. A wonderful job on the whole. Certainly Spielberg's finest work in recent months (yes, I don't think cowboys and aliens should ever mix).
For what its worth, this picture will move you deeply, as it has done to many. 'War Horse' inspires anti-war sentiments, as Joey's endeavors help him sympathize with men on both sides of the trenches, and ultimately reminds us of the beauty of Earths beasts. Each one has its own character that strikes a chord with the audience, and this is undeniable.
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