As the American Civil War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.
In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
On the outbreak of the First World War, Albert's beloved horse 'Joey' is sold to the Cavalry by his Father. After being sent to France, in a bid to survive, Joey has an unexpected journey across war torn Europe. Albert enlists in the British Army, and is wounded during the Battle of the Somme. Whilst recovering in Hospital, he learns of a Horse, found in no mans land.
This film, directed by Steven Spielberg, was released in the same year as another of his movie, The Adventures of Tintin (2011) and both were Oscar nominated. However, the film represents another double Spielberg losing year at the Oscars. This movie received six Academy Award nominations including Best Picture whilst The Adventures of Tintin (2011) got one nomination. Both films failed to win an Oscar. In 2006, Spielberg also had two movies Oscar nominated, Munich (2005) and War of the Worlds (2005). Both those two films also failed to win an Oscar that year. Spielberg had a double Oscar winning year in 1994 with Schindler's List (1993) (won seven Oscars) and Jurassic Park (1993) (won three Oscars). See more »
The young German deserter is named Michael. His named is pronounced the way an American/Englishman would pronounce it (with a k sound). A German would pronounce it with the a "ch" sound, which is an unvoiced soft aspirative sound not found in English. (Comparable to the Scottish sound "ch" i.e. in "Loch".) See more »
A Fantastic War Movie that Will Appeal to All Audiences
I was lucky enough to see War Horse in a special pre-screening last week, and I can safely say I will be seeing it again when its released on Christmas day. I went in with relatively low expectations, after watching the series of mediocre trailers, and walked out being able to safely say that War Horse is one of the best movies of the year, one of Steven Spielberg's best films, and, quite possibly, one of the best war films ever made, up there with my personal favorites The Thin Red Line, Apocalypse Now and Paths of Glory.
Steven Spielberg had long said that he didn't want to make Saving Private Ryan again. He said he wanted War Horse to be a war movie that parents cant take their children to and teach them something about love and war, and in this respect I can say that he more than succeeded. Spielberg comes close to the clinical perfection of Private Ryan, but more importantly, from an emotional perspective, War Horse far exceeds Private Ryan. There are many people apt to cry at Private Ryan, but War Horse is more likely to cause tears at a similar level to, say, Schindler's List. More importantly, unlike either Schindler or Private Ryan, War Horse is unlikely to cause any sort of political or moral complaints. He never tempers the anti-war message with nationalist tripe. Rather, he plays war straight. War is evil, men are good. There are no sides in this movie. In fact, at various points throughout the film, he seems to directly reject Saving Private 's heroism is dying for country message.
War Horse is based on the children's book and play of the same name. It is about a boy who's father, on a whim, buys a horse for his son that he knows will never be what is needed for the farm work it is purchased for. The boy forms an incredible bond with the horse. The first forty five minutes of the film is spent establishing the relationship between boy and horse. This part of the film is rather slow, but is necessary to establishing the film's central relationships, and is quickly made up for by the shift in pace as soon as the war begins. From the Scottish country side, after this important turning point in world history, War Horse shifts to France, where the titular horse is serving after being sold to the army. The boy is a year or two too young to follow his horse to Europe at this point, so for the next section, the film follows the horse only. From here on out, I will leave the plot a mystery, but it is gripping, thrilling, and very emotional.
There are two scenes in War Horse that I think are worthy of further mention. The first is a charge across no man's land. For anyone not familiar with the bulk of World War I's combat, it consisted of months at a time of back and forth shooting between trenches, broken up by awful charges across no man's land, to take a few hundred yards of enemy territory. These charges, as short as they were, as a result of the machine gun, came with death tolls in the thousands or higher. War Horse contains one of these charges, and it is carried out with both taste, and near perfect artistry. It is just grisly enough to get the reality across, but not so grisly that it makes the movie impossible to show to younger audiences. In fact, this trench charge ranks up with Steven Spielberg's other famous World War battle scene, the beach landing in Saving Private Ryan. It doesn't quite make it, but it comes close.
The other scene worthy of mention also occurs in the trenches, and reflects the other side of War Horse. The titular horse gets caught in the barbed wire in No Man's Land. The soldiers on either side spot it. No one knows what to do, as it is clear that its in incredible pain, but they know that leaving their respective trench would expose them to machine gun fire. Eventually two soldiers, one British, the other German both move to free the horse. The soldiers on both sides know what is going on, so no one fires a shot. This scene is unbelievably touching. The discussion they have (the German soldier happens to speak good English, explained adequately through a joke) will move even the most cynical of viewers, and gives a good idea of just what perspective War Horse takes to the act of war.
There are a few small problems in War Horse that, in most films, I would take issue with, but I will forgive in this case as I feel that they are so necessary for this film to appeal to younger audiences. The German soldiers speak English to one another, a big pet peeve for me. I would have preferred for French characters to speak subtitled French and German characters to speak subtitled Germans, but I recognize that many younger viewers refuse to read subtitles. There are a few unnecessary jokes, but again, younger viewers will enjoy these. Spielberg, as always, has three different endings tacked onto the movie, in this case necessary to provide the cut and dry resolution younger viewers require. As I said, these are still problems, but they are, for better or worse, required to accomplish what Spielberg was trying to.
I can say with absolute certainty that when Christmas rolls around, I will be dragging all my younger relatives to a screening of War Horse. I have never seen a movie so able to pull its punches enough to get a PG- 13 rating, but show enough to explain just what it is about war that makes it such an odious, disgusting, awful affair. In short, see War Horse as soon as you possibly can.
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