7.6/10
5,222
21 user 21 critic
Police chase an armed criminal in a version of Los Angeles comprised entirely of corporate logos.

Writers:

François Alaux (screenplay), Hervé de Crécy (screenplay) | 2 more credits »
Reviews
Won 1 Oscar. Another 8 wins & 5 nominations. See more awards »

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Cast

Credited cast:
Bob Stephenson ... Ronald / Bibendum Mike / Bibendum Sheriff (voice)
Sherman Augustus ... Bibendum Mitch (voice)
Aja Evans Aja Evans ... Esso Girl (voice)
Joel Michaely ... Big Boy / Green Giant / Mr Clean (voice)
Matt Winston ... Haribo (voice)
Andrew Kevin Walker ... Pringles Hot & Spicy (voice)
David Fincher ... Pringles Original (voice)
Gregory J. Pruss Gregory J. Pruss ... Chopper Pilot / Pillsbury Doughboy (voice)
Josh Eichenbaum Josh Eichenbaum ... M&Ms (voice)
Jaime Ray Newman ... Dispatch Girl - Radio (voice)
Rest of cast listed alphabetically:
Pauline Moingeon Vallès Pauline Moingeon Vallès
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Storyline

Somewhere in a vibrant and colourful interpretation of sunny Los Angeles where corporate logos and mascots simply rule, a sexy Esso Girl waitress takes her cigarette break, while at the same time, a murderous, gun-totting Ronald McDonald runs amok on the busy highways. As the clear signs of a vehement seismic activity foretell an ominous future, will the Michelin Man police officers stop the unhinged psychopath before he blows the whole town to smithereens? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Spectacular car chases, an intense hostage crisis, wild animals rampaging through the city, and even more, will have you at the edge of your seat in... LOGORAMA!


Certificate:

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Parents Guide:

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Details

Official Sites:

Official site

Country:

France

Language:

English

Release Date:

14 May 2010 (USA) See more »

Also Known As:

Логорама See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

16:9 HD
See full technical specs »
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Did You Know?

Goofs

When the Michelin Man cops are parked outside the KFC, the Ghostbusters "No Ghost" logo Stop sign is facing them with the ghost's head on the left (as it is customarily displayed in North America). When the cops pull away, the sign is shown from the other side, and the ghost is still facing the same way. When seen from the other side, the ghost's head should be on the right - as seen later on when the the Esso Girl and Big Boy are getting into the abandoned cop car. See more »

Quotes

Michelinman Mike: Oh, God. It was... you know what? You should come with us next time.
Michelinman Mitch: No, man. I don't like zoos.
Michelinman Mike: Aw, man. But the kids go apeshit for it.
Michelinman Mitch: Yeah, well, I don't see my kids that much. Besides, it's depressing.
Michelinman Mike: What? Getting up close to animals? I mean, where the hell else you going to get that close to a cheetah?
Michelinman Mitch: Yeah, that cheetah can run like a motherfucker, but in a zoo, they ain't got enough room to hit second gear. I mean, it ain't like they're in their natural habitat.
Michelinman Mike: Yeah, no shit, man. ...
[...]
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Crazy Credits

After the scrolling end credits have come to an end, a bald, toothless Ronald reappears to give a quick laugh. See more »

Connections

Spoofed in The Simpsons: A Tree Grows in Springfield (2012) See more »

Soundtracks

I DON'T WANT TO SET THE WORLD ON FIRE
Performed by The Ink Spots
Written by Eddie Seiler, Sol Marcus, Bennie Benjamin, Eddie Durham
Published by Warner/Chappell Music Inc. o/b/o Benjamin Bennie Music Inc., Bughouse Music Inc. o/b/o/ Eddie Durham Swing Music,
Ocheri Publishing Corp. From the Universal Records recording
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Frequently Asked Questions

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User Reviews

"I Don't Want To Set The World On Fire"
31 October 2018 | by aarosediSee all my reviews

It's a no mean feat to be able to incorporate all those logos, which were essentially laborious fruits of hardworking graphic design artists from around the world, giving such companies or pop-culture entities their proverbial 15 minutes by creating a collage that also happens to pay homage to Hollywood's cinematic staple of action-advnture movies, cop-buddy movies, and mnost of all those disaster movies.

All flash, not much substance; this film has captured the spirit of that, a sort of an inbred love-child of pop and postmodern art. The French always had disdain for the unhealthy Americal cultural imperialism that inundates the world with American cultural by-products such as Coca-Cola, Big Mac, or Disney, and what they consider garish, flamboyant, ostentatious aesthetic imposed on other cultures. So for the film's setting to be set in Los Angeles, US of A's uncrowned cultural mecca and dumping all those global brands in their depiction of the cityscape was the French filmmakers way of giving something back, a bit of appreciation perhaps.

...


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