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The Master (2012)

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A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.
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Movies Written and Directed by Paul Thomas Anderson

Paul Thomas Anderson's new film Phantom Thread marks the eighth feature film that the director has also written. Discover other films he has both written and directed.

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Nominated for 3 Oscars. Another 76 wins & 179 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Freddie Quell
... V.A. Doctor
Mike Howard ... Rorschach Doctor
Sarah Shoshana David ... V.A. Nurse
... V.A. Doctor / Interview
Matt Hering ... V.A. Patient
Dan Anderson ... V.A. Patient
... V.A. Patient
... V.A. Patient
Patrick Wilder ... V.A. Patient (as Patrick Biggs)
Ryan Curtis ... V.A. Patient
Jay Laurence ... V.A. Patient
Abraxas Adams ... V.A. Patient
Tina Bruna ... Portrait Customer
... Portrait Customer
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Storyline

Returning from Navy service in World War II, Freddie Quell drifts through a series of breakdowns. Finally he stumbles upon a cult which engages in exercises to clear emotions and he becomes deeply involved with them. Written by Alan Young, edit Hal Issen

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

Country:

Language:

Release Date:

21 September 2012 (USA)  »

Also Known As:

Master  »

Filming Locations:

 »

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Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend USA:

$736,311, 16 September 2012, Limited Release

Gross USA:

$16,377,274

Cumulative Worldwide Gross:

$28,258,060
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Paul Thomas Anderson's first feature film to be in the taller 1.85:1 aspect ratio, through the Panavision Super 70 and the standard spherical formats. All of his previous films were Filmed in Panavision (anamorphic) 2.39:1, although Hard Eight was filmed in the Super 35 format. He'll continue to use the 1.85:1 35mm standard spherical format for Inherent Vice (2014) & Phantom Thread (2017), and give them limited 70mm releases as well. See more »

Goofs

The catch wiring on the side of the ship when the men were relaxing they didn't match 1950 ships. They were made of some kind of synthetic wiring. That technology wasn't available at that time frame. Even today they still use metal wiring on those things. See more »

Quotes

Lancaster Dodd: My daughter's getting married, come join us! Leave your worries for awhile, they will still be there you get back, and your memories aren't invited.
See more »

Crazy Credits

The DVD special-features menu has a reversed image of Joaquin Phoenix's face. You can tell by the scar above his lip. See more »

Connections

Features The Deep Boo Sea (1952) See more »

Soundtracks

Baton Sparks
from "48 Responses To Polymorphia"
Written by Jonny Greenwood
Performed by The Aukso Chamber Orchestra
Courtesy of Unreliable Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
The Master of his fate
27 September 2012 | by See all my reviews

Paul Thomas Anderson's "The Master" is a puzzling, often bewildering film. Very few films have left me shaken and stirred and still leave me wondering, "What was that all about?" I can't say that I hated the ride. It is, quite simply, a remarkable film from one of America's best filmmakers today. This film is not for everyone, however.

The film's center plot; the one about self-described nuclear physicist, philosopher and professor Lancaster Dodd and his "organization" "The Cause" - as seen from the point of view from a shell-shocked psychotic drunk Freddie Quell. During the course of the film Lancaster and Freddie bond somewhat with Lancaster progressing his latest works.

The main performances by Joaquin Phoenix and Philip Seymour Hoffman are superb, and should warrant both of them Academy Award Nominations for Best Actor. Both of them. Phoenix is literally on fire here, his quirky mannerisms, twitching lips, unforgiving, unsettling eyes and ferocious anger and voice had me on the edge every time I see him on screen. Hoffman also is more subtle, though we see growing anger and rage whenever he feels that his work is being threatened. He can be classy, charismatic, and when threatened, loses all of that and becomes about as desperate as Freddie. Brilliant work by both actors. Watch the scene where Lancaster gets through to Freddie, or the harrowing scene where both of them are in jail cells. Special mention to Amy Adams who, while not really standing out, gives off a peculiar and somewhat sinister aura whenever she's on the screen.

Anderson's solid screenplay and his concentrated direction bring the goods. There seems to be a pattern about Anderson's last three films including this one. Both "Punch-Drunk Love" and "There Will Be Blood" featured lead characters who are extremely lonely and prone to snap to anger. "The Master" is somewhat a bit of both, where the lonely man can be both psychotic without reason and yet there are scenes which show he is, after all, a man. Some very well written lines ("If you can find peace without looking up to a master, any master...") meshed with some really great cinematography by Mihai Malaimare Jr. that brings nice color tones to the 1950 production design. Complementing all of this is Jonny Greenwood's eerie, dissonant score which makes the movie all the more odd, unsettling, and yet compelling to watch.

Eventually, both men in the movie are the masters of their own fate, and Anderson his own. It may move some and it may turn away others, but this is a fascinating watch nonetheless. "The Master" is one of 2012's very best films.

Overall: 91%


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