Based on the Jack Ketchum novel of the same name, The Girl Next Door follows the unspeakable torture and abuses committed on a teenage girl in the care of her aunt...and the boys who witness and fail to report the crime.
Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream ... See full summary »
When a successful country lawyer captures and attempts to "civilize" the last remaining member of a violent clan that has roamed the Northeast coast for decades, he puts the lives of his family in jeopardy.
Brandon Gerald Fuller,
Lauren Ashley Carter
In 1996, in the Balkans, the population of a small town is slaughtered by a militia under the command of the inhuman Goran that abducts young girls for prostitution in a brothel owned by the cruel Viktor. The deaf Angel that witnessed the execution of her mother has a weird birth mark on the face and Viktor chooses her to housework; to put makeup and drug the girls for the clients; and cleaning them up after the brutal encounters. Angel also sneaks between the walls and ventilation ducts during the night. Angel befriends the girl Vanya that knows the language of the deaf. When Goran returns to the house with his men, Angel witnesses one of them raping and killing Vanya and she revenges her new friend killing the man. Now Goran and his men are hunting her down and she is trapped in the house.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Later in the film, when Dimitri attempts to strangle Angel with his belt, she stabs him with a syringe loaded with heroin. He almost immediately reels back, loses coordination, and begins vomiting. The first issue with this is the method of injection. For heroin (or any drug) to have a near-immediate effect when injected, it must be intravenously (IV) injected, i.e., directly into a blood vein. With Angel jabbing the needle randomly into his leg like she does, the chances of hitting a vein directly or hitting and not going through are slim; more likely, the needle will pierce muscle tissue and be injected intramuscularly (IM), a method which will result in a much longer and milder onset of effects.
Also, assuming the dose Angel draws into the needle is comparable to what she normally gives the girls, it likely would not effect a large man the same way it would the smaller girls; specifically, Dimitri probably would not have experienced vomiting and coordination loss to the point where he couldn't stand straight. However, it might also be assumed that the girls have been there a while and have developed a tolerance for the drug, resulting in a larger dose being necessary. If this were the case, the dose might be enough to affect Dimitri in such a manner, assuming he doesn't use heroin on a regular basis himself. See more »
One day... one day things will be different. We can go away from this place. This is why I do all of this. So we can be together.
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The Seasoning House is a raw, powerful and, frankly, brilliant film. I recommend it, but it's not a date movie.
Hyett has clearly learnt a lot from his time on other film sets. The Seasoning House is a carefully crafted and controlled film which, at times, almost goes too far, but somehow manages to pull itself back from the brink. The direction is excellent, with Hyett infusing the first two acts with a slow, dreamlike, almost ethereal, feel that may reflect either Angel's resignation to the life that she now tolerates or the state of perpetual drug-based anaesthesia that the girls are constantly under.
Rosie Day is an absolute revelation. She is incredible as Angel and, although she doesn't utter a single word, her face tells us everything and we are never lost as to what Angel is feeling. It's notable that this is also Day's feature film debut. As such, and based on her performance here, I would expect to see a lot more of her in the future
The rest of the cast do a superb job. Willem Dafoe-alike Kevin Howarth is outstanding and tackles the role of Viktor with real conviction and we are torn between hating him (deservedly so) and as the film goes on, rooting for him. Sean Pertwee, as militia leader Goran, has never been more menacing, while Dominique Provost-Chalkley gives a brave performance as Vanya, especially considering all that the role entails.
It's bold cinema, make no mistake, and not a film to be taken lightly. Hyett's film is an uncompromising, unflinching and brutal glimpse into a real-life world of suffering that we, living out our comfortable little lives, simply cannot fathom and subsequently ignore. Hyett should be commended on making this film as honestly as this one. It's a film that sticks with you long after the credits have stopped rolling.
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