Poirot (1989–2013)
83 user 3 critic

Murder on the Orient Express 

Poirot investigates the murder of a shady American businessman stabbed in his compartment on the Orient Express when it is blocked by a blizzard in Croatia.


Philip Martin


Agatha Christie (novel), Stewart Harcourt (screenplay)

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Episode cast overview, first billed only:
David Suchet ... Hercule Poirot
Tristan Shepherd Tristan Shepherd ... Lieutenant Morris
Sam Crane ... Lieutenant Blanchflower
Toby Jones ... Samuel Ratchett
Brian J. Smith ... Hector MacQueen (as Brian J Smith)
David Morrissey ... John Arbuthnot
Jessica Chastain ... Mary Debenham
Stewart Scudamore ... Concierge
Serge Hazanavicius ... Xavier Bouc
Eileen Atkins ... Princess Dragomiroff
Susanne Lothar ... Hildegarde Schmidt
Denis Ménochet ... Pierre Michel (as Denis Menochet)
Barbara Hershey ... Caroline Hubbard
Hugh Bonneville ... Edward Masterman
Marie-Josée Croze ... Greta Ohlsson


Railway director and fellow Belgian Monsieur Bouc secures Poirot a last minute berth on the Orient Express, returning to England from Istanbul. Ratchett, an abrasive American businessman, traveling with his valet and male secretary, tries to secure Poirot's services as he fears that his life is in danger. Poirot turns him down, but the next morning, whilst the train is stuck in a snowdrift in Serbia, Ratchett is found stabbed to death. There is vague talk of a man seen fleeing the train, but many of the passengers in Poirot's compartment do not appear to know either Ratchett or each other, so what could the motive be? Poirot, assisted by Bouc and Dr. Constantine, attempts to find out. Written by don @ minifie-1

Plot Summary | Add Synopsis


Not Rated | See all certifications »

Parents Guide:

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UK | USA | Malta


English | Hungarian | French

Release Date:

11 July 2010 (USA) See more »

Filming Locations:

Malta See more »

Company Credits

Show more on IMDbPro »

Technical Specs


| (DVD) | (9 episodes)

Sound Mix:




Aspect Ratio:

1.78 : 1
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Did You Know?


Although this version of the story takes place in 1938, Christie's original novel was published in 1934. See more »


Vinkovci and (Slavonski) Brod are not in Serbia, but Croatia (region Slavonia). See more »


[first lines]
Hercule Poirot: No! Lieutenant, you lie to Poirot. You say that you were in the barracks by midnight, but Poirot has proved this to be false. At a quarter to one in the morning you were seen over two miles away in the company of the woman who died. General, this is not a murder, as is suggested by the Palestinian police, but I do believe the lieutenant lied about his whereabouts, first out of panic and then, by sticking to this *lie*, but reinforcing it with *lie* after *lie* for weeks and weeks ...
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Version of Murder on the Orient Express (2017) See more »

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User Reviews

Sin of the sons and daughters
16 April 2011 | by jakrapob-penkairSee all my reviews

While a fan to David Suchet as Poirot, I still don't understand the crew's urge for a different version of MOTOE. Why not true to the book and apply their artistic talents, if any? The new version tries to differentiate everything, including things that shouldn't be touched. Poirot as an uncontrollable personality. Poirot as a super religious person, so emphatically stressed. Why adds all these? Poirot is already world-famous because of his eccentric style and peculiar expression. Respect that and move on, instead of re-creating his character away from Agatha Christie. Somehow I feel an unnecessary revolt to what has been done before. Some I-want-to-leave-my-fingerprints kind of mindset. This is probably why talents in this one episode are so misplaced. Such attempts on Poirot result in another missed opportunity: underdeveloped characters all over the place. Only Toby Jones as the villain gets lucky, since he came, did his piece, and left the face of the earth before more script pages can do him any harm. A murder scene, yes. Gruesome and real, much more than the Lumet's glamorous version. But it makes the ending even more frustrating. How can anyone forgive the culprits having witnessed a crime such as that? The realism of the murder scene takes away the merit of Poirot's "second solution", while the Lumet version treats this one part so masterfully. The key word of this story is sympathy. And that is exactly so missed here.

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