A Better Life

A Better Life is a pretty standard story. In fact, it's plot has some contrivances that I wish it didn't, and it doesn't feel as smooth as I wish, but for all of it's writing flaws, it still made me completely empathize for these characters. I connected with them in part because I know too much of the hardships of these kinds of people. My parents have had similar obstacles to overcome as well, and living not too far away from the area shown in this film, I know what it can be like. This is a good film, but then there's Demian Bichir.

This never once feels like acting, and it wasn't until the final scene between Bichir and his son that I realized how effective this film had been. In that final scene, I actually let out tears. For the first time, the writing didn't feel contrived, or the dialogue weak. It all came together for Bichir, and in that final scene you break down with him. It is one of the best acted scenes of the year, and one of the most effective. It isn't until that final scene that you realize how much he has lured you in to his inner feelings, and how much he has made you care. It all sounds cheesy, and many times the film is, but that final scene between father and son is the only scene from 2011 that actually made me weep like a child. Powerful performance by Bichir, and completely deserved his nomination. I also want to mention that Jose Julian is also quite effective.

Carlos Galindo (Demian Bichir) wants nothing more than to provide his son, Luis (Jose Julian), with the life he himself never had. An illegal alien who has lived in the US for many years, Carlos works as a gardener and keeps his head down, always mindful of what deportation would mean for his son. Luis, meanwhile, is a typically rebellious teenager who doesn't understand or appreciate his father's sacrifices and who is on the brink of joining the local gang. When Carlos' boss planning to leave the gardening business and head home, he offers to sell his truck and equipment to his loyal employee. Desperate to make something happen for himself, Carlos accepts the offer and goes into business for himself, a risk he normally would not take. But when the truck is stolen by a day laborer, Carlos and Luis go on a journey to recover their property and in the process, rebuild the relationship that they've both sorely missed.

I think it was a surprise to many to find Demian Bichir's name among those nominated for Best Actor at this year's Academy Awards. On a list that includes Gary Oldman, George Clooney, Brad Pitt, and eventual winner Jean Dujardin, Bichir seemed a bit out of place, especially considering some of the great work done by accomplished actors who were not recognized by the academy (Ryan Gosling, Michael Shannon, Joseph Gordon-Levitt, etc.). This is one of those situations, however, that demands a viewing before judgment because, having now seen A Better Life, I can certainly understand the Academy's decision. Simply put, this is a heartfelt, power house performance by an actor that perfectly embodies his role. Carlos encapsulates elements of heartbreak and hope, misfortune and motivation and in doing so creates a deeply layered and personal portrayal. Bichir plays Carlos with subtlety, acting as much with his eyes as with his words, giving notice of the internal conflict waging within the man throughout his various struggles. It is truly an outstanding performance and one that carries significant weight.

The rest of A Better Life, though, doesn't quite measure up to the brilliance of the lead performer. Many of the early scenes come off as manufactured rather than organic, a polar opposite to the path that Bichir takes with his character. It is too earnest at times and that could cause cynical jerks like me to bail on the film before it ever really gets going. To be fair, A Better Life gets better as it goes and eventually leaves the safety of borderline-manipulative Oscar bait behind in favor of a more genuine tone but in some ways that makes the first act even more frustrating. There are also a handful of scenes that could have been edited out or restructured more purposefully and many of Bichir's colleagues fail to deliver at a compatible level with the film's star. Julian shows flashes of excellence but overall I found his performance to be spotty and less-than believable. I can't say whether the blame for this rests on Julian or the film's director, Chris Weitz, but the dynamic between father and son didn't always deliver. It would have been interesting to see Bichir go toe-to-toe with a more challenging co-star, similar to the interactions between George Clooney and Shailene Woodley in The Descendants.

What saves A Better Life from becoming yet another independent film that doesn't live up to the strength of its leading performer is the conclusion. Weitz saves his best work for last, creating a stirring, emotional scene in the very end in which Bichir delivers beautifully and which exhibits the very best of the relationship between Carlos and Luis. It is a hopeful, impactful finale that covers over the film's previous missteps and allowed me to leave with a higher opinion of the film than I might have had otherwise. The result is a good movie highlighted my one fantastic performance and brought home by one stirring scene.

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My husband and I went to see this film. I lived in Whittier for 25 years - So. CA. since the 50's and went to L.A. many times and had friends who lived difficult lives such as this. We thought the movie was wonderful and very "real"! I loved how Dad and son related.

I'm a pretty simple person and like to watch nice movies - I am definitely going to watch this movie again!!

The only thing I would change is to make sure I bring a box of Kleenex! I was so moved and hurt I couldn't leave the theater for at least 5 minutes!

Go see this movie - especially if you like true to life movies - it's inspiring & loving.

God bless everyone who experiences life this way. This movie inspired me to start praying for all who are in situations like these ones!

I like how Chris Weitz kept the focus on the characters and avoided the usual politics of the subject matter. This movie kept the audience riveted to the screen without resorting to usual polemics found in similar subject films. Personally I think this movie is closer to "El Norte" than "The Bicycle Thief", maybe a mix of the two but still authentic. Superb performances by most of the cast including Demian Bichir as Carlos Galindo, newcomer Jose Julian as Luis Galindo, Joaquin Cosio as Blasco, Bobby Soto as Luis' friend. Richard Cabral, Jason Medwin and Tom Schanleys played very believable, three dimension roles. Eric Eason and Chris Weitz did a great job on balancing keeping it real and entertaining at the same time. Carlos, a Mexican gardener in the United States illegally doing all he can trying to single handed raise a son in a vulnerable age at a vulnerable time. If you are looking for a warm and heart felt movie without the overblown melodramas then this is a most see.

A BETTER LIFE is one of the more understated films to come out of Hollywood, a film that has the courage to tell a story that is so politically charged - the immigration debate - that releasing it now is on the one hand asking for negative responses and on the other hand offers to the public the real truths behind our quandary about immigration. This country consists of immigrants - all of us - no matter how far back we have to trace our ancestry: the only people who did not begin their family history as immigrants from every country in the world and the Native Americans, and look how we are treating them! If this film does nothing else than plead the case of human understanding it will have accomplished more than legions of films that touch this subject too lightly.

Carlos Galindo (Demián Bichir, in an extraordinarily fine performance) crossed the border into the US with his new wife, looking for a way to improve his life. Upon arriving his wife gave birth to their son Luis (José Julián) and then promptly left Carlos in search of a better life, leaving Carlos to raise Luis alone. Carlos is an honest, caring man who must live in the shadow of being illegal: he cannot have a driver's license or papers that allow him the benefits of other people. Carlos has a steady job as a gardener with Blasco (Joaquín Cosio) who owns a truck and the two men work hard as gardeners.

When the film opens Carlos is saving is money from working with Blasco, living in a tiny house in the smarmy side of Los Angeles, trying to provide better schooling for his 15 year old Luis. Luis is of the age when he is easily influenced by his peers: his best friend is Ramon (Gabriel Chavarria) who is waiting to be of age to join the gang and forget about school in lieu of making money and living high. Luis is tempted to follow him, but he still attends school despite frequent absences and disinterest in education. Carlos is faced with a dilemma: Blasco wants to leave the business of gardening and suggests Carlos buy his truck and tools and start his own business. While Carlos sees the future in owning his own business (he can provide hope for a better life for Luis) he doesn't have enough money saved to buy the truck. His sister, indebted to Carlos for his protection and help, brings him her savings and Carlos buys the truck. Luis is surprised and then proud of his father's courage, but the happiness is short lived as one of the day laborers Carlos befriended - Santiago (Carlos Linares) - steals the truck, sells it on the black market and sends the money to his family in Mexico. It is this moment that provides an important turn for the relationship between Carlos and Luis. Luis bonds with his father and together they manage to locate the truck and take it back, only to be caught by the police for driving without a windshield. Carlos is jailed, Luis is devastated, but as Carlos is deported Luis pleads with him to 'come back home'. The film's ending tests the credibility a bit but it is heartwarming nevertheless.

The story as written by Eric Eason and Roger L. Simon is genuinely real and never veers toward the maudlin. They have created characters who not only demonstrate the importance of father son understanding and relationships, but they have approached the entire gamut of immigrant challenges and the manner in which this country deals with current immigrants in an honest manner. Without waving banners for or against immigration problems director Chris Weitz offers us the opportunity to see life from a different angle. One of the reasons this movie is so powerful in its impact and message is due to the brilliant performance by Demián Bichir, hopefully a candidate for an Oscar, and his performance is beautifully balanced by that of José Julián as his son. The film is scored by Alexandre Desplat and the music greatly enhances the rhythms of the story. There is such worth in this film that it would be wise for everyone in this country to view it - and remember our individual heritages and histories. Grady Harp