An author who returns to his hometown to deliver a commencement address to a class of graduating high school students has to deal with his feelings for an old flame as well as the advances of a student who has the hots for him.
Worricker is a retired spy living in the Caribbean. He realizes he is in trouble when four "businessmen" show up. They look like mob bosses, but one actually works for the CIA. He gets help from two former MI5 colleagues back in London.
Patty Vare falls off a horse and is found unconscious by preparatory school student John Baker. He takes her to his dormitory. As he quickly discovers, she is hiding from something. For ... See full summary »
Excuse me, erm do you know someone in the meeting?
Oh mine's in there too, would you like to come in?
[shakes her head]
I wouldn't wanna inconveniece you.
No it would be no trouble, really. Erm I could make some tea, I, I could actually use someone to talk to tonight.
[she gets out of the car]
We came all the way from Westchester County. I'm Anne Bingham.
[they shake hands]
Anne, I'm Lois Wilson.
If I don't drive him here I can't guarantee that he'll make it so I make the drive.
[...] See more »
"When Love Is Not Enough" is a film of a very specific style. That sort of style most commonly seen in films which consider the most effective way to depict a period drama is in mimicking the film-making style of said period. If you can swallow all the tear-jerking music and glossy cinematography, you will certainly appreciate the story better. But I found myself aching for a little bit more grittiness. Even much older alcoholic dramas such as "The Lost Weekend" or "Days of Wine and Roses" had a degree of emotional intensity not quite present here. Then again, this is a TV movie, and similar expectations are not necessarily in play.
Winona Ryder and Barry Pepper are two of my favorite actors. They don't disappoint here. Pepper (as Bill Wilson) is appropriately pathetic for the better half of the film, believably drunk and unhinged. Ryder (as Bill's wife, Lois) is given somewhat less to work with. Some of her dialogue during the more intense arguments is so wordy and roundabout that she seems tied between losing her breath and keeping a straight face. Both of which tend to get in the way of projecting emotion.
It's a good enough film. The story takes you through the events of Bill and Lois' married life, always without making you feel like it's arbitrary or scripted out. The unfortunate side is how John Kent Harrison doesn't offer anything at all outstanding with his direction. The look is flat, clean, ordinary. He sometimes uses off-kilter angles in the composition, which is always distracting and immediately makes one think of 1960s television shows. Harrison prevents the actors from pushing further than expected, and gives nothing but limitations to the production.
In the end, this is probably worth watching. The actors give enough guts and passion to make it worth your time. It's nothing to subvert even the lowest of expectations, but you get the sense that everyone tried their best. And that's commendable, even when their best is not enough.
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