In Manhattan, the vampires Goody and Stacy share an apartment and work and study in the night-shift. Goody was turned in vampire in 1840 by the evil Cisserus, who turned Stacy in the 90s, and they became best friends but Goody never told her real age to her friend. They only drink mice blood and refuse to drink human blood, and they go together to the Vampire Anonymous. Stacy falls in love with her classmate Joey, and soon she learns that he is the son of the vampire slayer Dr. Van Helsing. Meanwhile, Goody meets her former passion, Danny, in the hospital where his wife is terminal. When Stacy gets pregnant, Goody knows that the only way that the child can survive is killing Cisserus, since they would revert to their human ages. But nobody knows where her lair is.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Taylor negron also played a pizza delivery guy in bio dome movie. See more »
How would Stacey know her fangs are dingy when she can't see herself in a mirror and Goody couldn't have told her because she said she never thought about it and no one else knows she's a vampire, not enough to see her fangs anyway. See more »
Dr. Van Helsing:
Madam, you've insultingly confused us with the police. I'm from Time Warner, and if you ever want to see Jon Stewart again you'll open this door.
See more »
How far the mighty have fallen indeed. In 1995, writer-director Amy Heckerling hit the nail on the head with what would be the definitive chick flick of that decade with Clueless, and propelling its lead Alicia Silverstone into super-stardom, launching words and phrases into collective acceptance. Fast forward to today, both didn't quite have projects under the belt that rivaled their early success, so I guess coming together again was probably an opportunity to find their collective magic, and what's none better than to tackle a popular subject matter for film - Vampires.
Granted that Alicia Silverstone is no longer the teen that she was, Amy Heckerling has created quite a smart plot device, which provides Silverstone with playing an older character, but able to retain her relatively youthful looking features for the story of the undead and immortal. She plays Goody, a 2nd generation vampire who was turned by Sigourney Weaver's Cisserus in the late 1800s. In today's context, Goody managed to save Stacy (Krysten Ritter) from Cisserus, convincing the latter of Stacy's fashion sense and the need to stay with the times. So Goody and Stacy become "blood sisters" after the latter gets converted, staying in their coffins in an upmarket swanky New York apartment, leading the good life but only at night, but are at the beck and call of Cisserus when she goes out hunting for human blood.
It is probably in the mantra of human-friendly vampires to be sucking on blood of vermin, following the Twilight model. And Twilight dictates the falling in love, so there's a huge sub- plot revolving around Stacy and her relationship with a Van Helsing bloodline in Joey (Dan Stevens), where soon their differences get discovered because you can't really hide the fact that one is without a pulse, or body warmth, with pale skin that had hardly seen any sunlight. This of course raises the suspicion of Joey's father Dr. Van Helsing (Wallace Shawn), himself a vampire hunter given their heritage, and with Cisserus going around killing folks for sustenance, you'd know everything would converge and come to that necessary climatic finale to have all narrative loose ends resolved.
But underneath this candy and sugar coated sweetness, lies a rather dark tale about love, and the cruelness imposed by immortality. People you love would come and go, and there's always more than enough folks wondering why you just won't age together with them. It's an incredibly lonely process, and a heartbreaking one, as epitomized by Silverstone's character of Goody. But of course there are those who live it up given selfish motivations, and drunk by immense power that the undead status brings. This contrast is what propels the story right to its touching finale, which is rather surprising if one happens to contend and condemn the film solely on its trailer and promotional material.
Effects are laughable though, if you forget that this film is firmly set in B-territory. There's no masking of its limited budget, and the deliberate use of plastic props whenever possible, with tongue-in-cheek effect. Even the CGI is completely amateurish, a throwback to things down some two decades ago, which highlights just how cheap the production really is. But it contains a decent story, with romance and comedic elements to allow it more breadth in its narrative. Sigourney Weaver hamming it up these days in various support appearances also makes it a little bit fun, but the winner here are the darker tones that lie beneath its surface, if you'd only give this film a chance, and look a little bit deeper. Recommended!
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