In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Jack Hall, paleoclimatologist, must make a daring trek from Washington, D.C. to New York City, to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Delacourt, a government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn't stop the people of Earth from trying to get in by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life but could bring equality to these polarized worlds.Written by
There are numerous changes in Delacourt's dialog that are clearly visible after Max and Frey are on Elysium. She says "Get these two out of here." while looking at Frey and her daughter but she clearly says something else. You can hear the difference between the lines that are changed and those that aren't. See more »
In the late 21st century Earth was diseased, polluted and vastly overpopulated.
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In the soundtrack part of the end titles it says:
"Piano Concerto No. 8 in C minor 'Pathetique' - Adagio Cantabile Written by Ludwig van Beethoven"
L. v. Beethoven wrote only five piano concertos (his eighth piano sonata is titled "Pathetique" however). See more »
How did they get Matt Damon and Jodie Foster to do this film?
I think the director, Neill Blomkamp, must have blackmailed them into it. Or maybe he held their dogs hostage? Because, if they read the script, they had to have known that all the special-effects in the world wouldn't save it.
I LOVE sci-fi. But I hated this film. In fact, I'm angry that this film was released. Just as we've finally started getting some good sci-fi movies produced, this thing comes along. And presto, sci-fi gets a bad reputation, once again.
I'm having trouble deciding which was worse; the plot or the camera work.
Just kidding. It's the plot! The plot is one dimensional characters we don't care about, fighting a war we don't care about. In fact, more than once during the movie, I was hoping the bad guys would just kill Damon's character. That would put us BOTH out of our misery.
The camera work and editing isn't much better, and hits a low in the fight scenes. Watching the fight scenes is like trying to watch vegetables being chopped in a food processor. Jump cut, jump cut, jump cut. Who's winning? Damon? No, the zucchini.
I won't even try to cover all the failings of the "science" part of this sci-fi. There's no way to chronicle the errors and inconsistencies, and stay within the 1,000 word limit.
But here's a tip for future sci-fi directors: If you use a 1950's style circular space station, please SPIN it! At least a little bit. Because that's why space stations are circular, so they can spin to generate artificial gravity.
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