A 15-year-old, Sara, lives with an apparently normal suburban family. She develops a sixth sense and begins to perceive a series of disturbing messages and clues, which prompt her to enter ...
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Natalia is expecting her first child and invites her sister Elena over for the weekend. Elena is not doing too well and her biggest wish is to become a mother. Suddenly Elena finds out that she too is pregnant.
Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by ... See full summary »
Juan Diego Botto,
José Luis Gómez,
We are in 1885. In a ghostly train, the Oviedo Express, the actors that represent the theatrical adaptation of Clarín's 'The Regent' are traveling. The arrival of the comedians to the ... See full summary »
Private detective Inés infiltrates the employees at a multinational corporation. Thanks to the collaboration of Manuel, she gets to the heart of company intrigues. But her investigation ... See full summary »
The orphan Adrián Vega has the ability of foreseeing the future and is adopted by the bookseller Samuel. He joins Samuel's group of clairvoyants called Utopia that protects people that will... See full summary »
"In life, we first organize large stones (Piedras) such as love, friendship, family, and a career." In this way, we will find space between these to fit smaller stones, our small ... See full summary »
A 15-year-old, Sara, lives with an apparently normal suburban family. She develops a sixth sense and begins to perceive a series of disturbing messages and clues, which prompt her to enter a dangerous and frightening dimension in order to save a life. In the course of this adventure to a dark parallel universe, Sara must change the world.
Written by Oriol Prieto Sánchez, Nach (as Ignacio Fornés Olmo) and Julián Núñez Franco See more »
Moral preachings for teens
I saw 25 movies at this years edition of Sitges International Film Festival and none so tedious, boring and utterly pretentious as "Verbo". As the movie takes its first hesitating steps, director Eduardo Chapero-Jackson manages to keep some level of interest alive and the story about Sara - the archetype of the misunderstood teenager, who feels unfairly treated by just about everyone - starts off as somewhat highschoolesque, but still with a touch of that characterizing European realism, that usually puts French and German productions at the top of my list.
What is remotely interesting for 10 minutes has however faded completely after 20, and when 45 minutes has passed you just wish the horrid composition to be over. The hole thing is oh so predictable (even for the newly awakened cineast or random film watcher), filled with ridiculous moral preachings and bad acting. Add some animated segments accompanied by horrendous hip-hop music (a huge incongruence compared to the rest of the movie) and you have a recipe for disaster.
If I learned anything from this movie, it was not that suicide is bad, but rather that subjectiveness have conquered definitively: otherwise no one would clap this drivel!
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