A 15-year-old, Sara, lives with an apparently normal suburban family. She develops a sixth sense and begins to perceive a series of disturbing messages and clues, which prompt her to enter ...
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The acclaimed actor and musician goes deep on androids, UFOs, and the films she studied for Season 2 of "Homecoming."
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Title: Verbo (2011)
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1 win & 5 nominations.
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Cast
| Cast overview, first billed only: | |||
| Alba García | ... | Sara | |
| Miguel Ángel Silvestre | ... | Líriko | |
| Verónica Echegui | ... | Medussa | |
| Víctor Clavijo | ... | Tótem | |
| Macarena Gómez | ... | Prosak | |
 |
Adam Jezierski | ... | Foco |
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Fernando Soto | ... | Rafa |
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Michelle Asante | ... | Night |
| Nasser Saleh | ... | Darío | |
| Manolo Solo | ... | Profesor | |
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Álvaro Cañete | ... | Luis |
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Miriam Martín | ... | Niña de blanco |
| Peter Peralta | ... | Adolescente Japonés | |
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José María Moreno | ... | Fede |
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Sergio Villalba | ... | Hugo |
Learn more
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Plot Summary
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Storyline
A 15-year-old, Sara, lives with an apparently normal suburban family. She develops a sixth sense and begins to perceive a series of disturbing messages and clues, which prompt her to enter a dangerous and frightening dimension in order to save a life. In the course of this adventure to a dark parallel universe, Sara must change the world.
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Details
Country:
SpainRelease Date:
4 November 2011 (Spain) See more »Also Known As:
Вербо See more »Filming Locations:
Madrid, SpainEdit
Box Office
Cumulative Worldwide Gross:
$254,247Company Credits
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I saw 25 movies at this years edition of Sitges International Film Festival and none so tedious, boring and utterly pretentious as "Verbo". As the movie takes its first hesitating steps, director Eduardo Chapero-Jackson manages to keep some level of interest alive and the story about Sara - the archetype of the misunderstood teenager, who feels unfairly treated by just about everyone - starts off as somewhat highschoolesque, but still with a touch of that characterizing European realism, that usually puts French and German productions at the top of my list.
What is remotely interesting for 10 minutes has however faded completely after 20, and when 45 minutes has passed you just wish the horrid composition to be over. The hole thing is oh so predictable (even for the newly awakened cineast or random film watcher), filled with ridiculous moral preachings and bad acting. Add some animated segments accompanied by horrendous hip-hop music (a huge incongruence compared to the rest of the movie) and you have a recipe for disaster.
If I learned anything from this movie, it was not that suicide is bad, but rather that subjectiveness have conquered definitively: otherwise no one would clap this drivel!