Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home... See full summary »
Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the ... See full summary »
Björn Jörundur Friðbjörnsson,
Thorarinn Oskar Thorarinsson
A girl is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in the dark music of Black Metal and dreams of becoming a rock star.
The movie represents the tip of a solitary iceberg of disappointments. It is the final chapter in the lives of Georg Bjarnfredarson, an over-educated know-it-all, social outcast, closeted gay man, and his friends and co-workers. Sitting with him high in the ladder, letting life bedazzle his eyes with perplexity, is Daniel Sævarson, a shy young man who is wrangling with an uncontrollable web of lies he has concocted to deceive his family who think he is finishing medical school. Those two characters are joined by Olafur Ragnar, a 40-year-old man-child still struggling to fit in a normal society. The story begins when Georg is released on parole after a long stay in jail for murder. His mother, an obstinate feminist, refuses to take him in, practically disowning him. Daniel, an old friend, whom Georg tried to frame for the murder he had committed, reluctantly invites him to stay at his place until he gets back on his feet. Olafur, Georg's former co-worker, is also staying at Daniel's ...Written by
Just watched this film last night and thoroughly enjoyed it. However, you should know that this movie is the fourth installment of an Icelandic TV series. The three preceding comedy series were called The Night Shift (Næturvaktin), The Day Shift (Dagvaktin), and The Prison Shift (Fangavaktin). Although I think this film could probably stand on its own, it would be far more rewarding if you watch it as the final chapter about these three amazing characters (Georg, Ólafur, & Daníel) which had been so vividly brought to life in the TV show. The film is generally less comedic than the TV shows were, but the character development is highly rewarding.
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