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Title: Beyond the Black Rainbow (2010)
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| Cast overview: | |||
| Michael Rogers | ... | Barry Nyle | |
| Eva Bourne | ... | Elena (as Eva Allan) | |
| Scott Hylands | ... | Dr. Mercurio Arboria | |
| Rondel Reynoldson | ... | Margo | |
| Marilyn Norry | ... | Rosemary Nyle | |
| Gerry South | ... | Skinny Hesher | |
| Chris Gauthier | ... | Fat Hesher | |
 |
Sara Stockstad | ... | Anna Arboria |
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Roy Campsall | ... | Sentionaut |
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Geoffrey Conder | ... | Mutant |
|
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Colombe Meighan | ... | Baby Elena |
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Ryley Zinger | ... | Unmasked Sentionaut (as Riley Zinger) |
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Vincente Rodriguez Lima | ... | Mexican DJ |
Spanning over two decades of research and innovation from the 1960s to the early-1980s, the Arboria Institute--a secluded New Age commune and a state-of-the-art research facility--and the pill-popping psychiatrist, Dr Barry Nyle, are particularly interested in their newest specimen: the female patient, Elena. To begin to understand her mind-boggling telekinetic and telepathic abilities, the demented doctor keeps Elena heavily sedated and in a constant catatonic state; however, her capabilities are unfathomable. What are Dr Nyle's deeper intentions? In the end, could the institute's utopian doctrine be flawed after all? Written by Nick Riganas
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Its a well done enough horror/suspense/David Cronenberg esque wtf kind of film--but after a while i kind of just wanted them to cut to the chase already. by which i mean there's a lot of set up and a lot of artfully done goosing of that set up--but it takes a good hour and a half if not longer before the actual ch as/confrontation between the two main characters that you spend most of the film waiting to happen finally happens. Don't get me wrong--this movie is trying and succeeds to a varying degree at capturing a certain style and certain flavor of suspense horror film---the director is quite clearly a fan of early Cronenberg--there's not just the obvious nod to Scanners but there's nods to The Brood and Shivers and even a slight one to videodrome in here as well (at least i thought i caught those maybe i'm wrong i don't know) and there are nods to other scare films of the early 80's as well--and certainly the whole tone and pace and set design and wardrobe and just everything about it is very much on the money for a suspense film from the early part of that decade--but i don't know, the movie also had a sort of sleepy effect on me---like as psychedelic as the director wants the movie to be (and it definitely is) you can only indulge in that kind of style so much before you just end up putting a guy like me into a kind of coma--and not the cool trance like one that i'm sure the director was hoping his film would have on its audience. You know there's only so much ranting and raving i could take from the good psychotic doctor and there's only so much self defense scenes i could take from the woman in the mental hospital before a part of me just wanted to scream Get on with it already movie! but eventually the movie does--and it does it well enough---but not so well enough that i can't help but think this movie should have probably been at least a half hour shorter then it was. Ehh whatever---i'm positive it will find its audience soon enough anyways and it will have a nice cult like following in the years to come--much like Cronenberg's early stuff does too.