Number one NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
John C. Reilly,
Sacha Baron Cohen
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
On his latest expedition, Dr. Rick Marshall is sucked into a space-time vortex alongside his research assistant and a redneck survivalist. In this alternate universe, the trio make friends with a primate named Chaka, their only ally in a world full of dinosaurs and other fantastic creatures.
An editor offers Reese (actress/bartender) $100,000 for her recently dead mom's letters from her novelist dad. She heads home from NYC to get them. Her dad lives in the garage while two strangers live in the house.
After Nick is fired from his sales job, mostly because of his penchant for alcohol, he comes home and finds that his wife has kicked him and all of his stuff out of the house and onto the front lawn. He is pretty intent on just sitting in his chair, drinking beer, on the lawn. His cop friend, Frank Garcia, thinks he should at least pretend to have a yard sale to make it legal. He slowly starts making friends with a neighborhood kid who needs something to do, and a pregnant wife who has just moved in across the street, and Nick finds himself moving on and selling all his stuff.Written by
The movie is based on the short story "Why Don't You Dance?" by Raymond Carver, an American author and poet. Director Dan Rush asked permission of Mr. Carver's widow, Tess Gallagher, before extending the story and adding additional characters. See more »
The Band's "I Shall Be Released" was never the first track on any side of an album, as shown when the needle drops on the outer edge. It was the last track on 1968s "Music from Big Pink". See more »
Voice on tape:
Rule number 1, know your products. Okay, whether it's a PC or a piece of paper, know how it works. Number 2. Know your customers. Learn everything you can about them. Listen to what they want, and what they don't want. Rule number 3. Go the extra yard, okay? If you don't have the answer, find it. It's that simple. Okay, let's go get those numbers out there.
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I Like to Boogie
Written and Performed by Lightnin Hopkins (as Sam Lightnin' Hopkins)
Courtesy of Concord Music Group, Inc. See more »
Everything Must Go is probably Will Ferrell's first truly well done film in years. The Other Guys was pretty good, Step Brothers was funny in parts, but this one totally takes the cake for being a great drama, and schools anyone who thinks Will Ferrell can't do anything but comedy. Though I doubt fans of Old School will think highly of this.
The plot isn't too much, but it sustains a film. Will Ferrell is Nick Halsey, an alcoholic who has had one too many alcohol-related episodes and has finally lost his job. He returns home to find out his wife has changed all the locks on the house, and has moved all of his belongings to the front yard. Frustrated and hopeless, he decides to life on his front lawn, and make the best out of a horrible situation.
He spends his day sucking down Blue Ribbons beers, until he is met by a chubby adolescent named Kenny (Christopher Jordan Wallace, the son of the late rapper Notorious B.I.G.). Kenny's mom takes care of an elderly woman, leaving him free to roam the streets on his bike. Kenny and Nick strike up an odd, but warm relationship with each other and when Nick is informed by his AA sponsor (Pena) that he must move all his stuff off his lawn in three days, he works with Kenny to help them hold a big yard sale.
A sub-plot involves Nick getting acquainted with the woman across the street who has just moved to the neighborhood and is awaiting her husband's arrival. The relationship isn't as strong or as well-crafted as the relationship between Nick and Kenny, but it is still a solid one.
It's also noteworthy that we never see Nick's wife or the woman's husband anywhere in the film. We don't need to, though. The plot works fine without them, and I believe that if we saw Nick's wife in the film we'd get too many arguments between the two which may result in (a) believability being low and (b) a possibility for Ferrell's comedy side to sneak in. We don't need comedy here. We get it, but in tiny, miniscule doses. There is almost nothing funny about this situation.
Once again, this proves that Will Ferrell is a great character actor, and doesn't have to get drunk, shout his lines, or get in goofy fights to be successful. Unfortunately, Everything Must Go's overall performance wasn't impressive, and it may be a long time before Ferrell does something like this ever again.
Not everything here is perfect. The worst flaw is the ending because there is no emotional payoff, and nothing to make our experience anymore than just enjoyable. I wanted more than enjoyable. I haven't read the short story "Why Don't You Dance?" by Raymond Carver, so I'm not sure of any similarities both this and the story share. Everything Must Go is a good film in general, but a great film in terms of Ferrell, who is essentially putting on a one-man-show for more than half the film.
Starring: Will Ferrell, Christopher Jordan Wallace, Laura Dern, and Michael Pena. Directed by: Dan Rush.
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