A young man's untimely death unites a fractured family and their community through shared memory and loss.

Writers:

Matthew Porterfield (story), Jordan Mintzer (story)
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sky Ferreira ... Jenny
Zoe Vance ... Zoe
James Siebor Jr. James Siebor Jr.
Dustin Ray Dustin Ray
Cody Ray Cody Ray ... Cody
Charles 'Spike' Sauers Charles 'Spike' Sauers
Catherine Evans Catherine Evans
Virginia Heath Virginia Heath
Casey Weibust Casey Weibust
Drew Harris Drew Harris
Marina Siebor Marina Siebor
Jeff Ichniowski Jeff Ichniowski
Ian Burke Ian Burke
Joe Mooney Joe Mooney
Aurora Corey Aurora Corey ... Jenny's Friend
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Storyline

A young man's untimely death unites a fractured family and their community through shared memory and loss.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Did You Know?

Trivia

Filmed in twelve days. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.17 (2011) See more »

Soundtracks

Living A Lie
Written by Mickey Freeland and Dave Barresi
Performed by The Adults (Mickey Free and Secret Weapon Dave) with Jenn Wasner
Courtesy of Adult Situations
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User Reviews

 
Junkyard dogs

This is a drama about a wake that's kind of coalescing just after the death of a young man from an overdose. The cast includes ex-cons, skate-kids, dropouts, long-suffering retirees, generally low status folk sat on the sidelines of modern America doing their own thing. It's shot well enough that it looks like a documentary even though it's not. Lots of folks are interviewed about the dead guy and end up having a karaoke wake. The guys in the movie seem pretty anaesthetised most of the time, they're just trying to get along, and take things as they come.

There's some nice stuff, including a memorial graffito sprayed as we watch, of the words Rest in Peace spelled out on three Japanese bridges that look like they could come from a Monet painting.

At the end the film unfocuses on a road scene (an old trick) and you get all theses spheres of coloured light dripping across the screen. Like I say, an old trick, but it's done well here, and the unfocus is meaningful for this film, as the folk we see try not to focus too much, for example they go paintballing a week before the service, they just get on with it and don't mope. The wake at the end is actually fairly moving, and fleshes out the film a lot, adds meaning to some of what you see beforehand.

I have a lot of love for this film, and I can see what it was trying to do, it's grown on me a lot since the night I watched it.

I must warn you though that some shots are held for too long, and I'm a guy who likes long takes, furthermore there was a spalling walkout, which quite astonished me, probably the first time I've seen it happen in a film which wasn't violent, overtly sexual or confrontational. In fairness the film was shown quite late at night, and folks may well have seen several films beforehand and been tired (this was film #4 for me of the day at the Edinburgh International Film Festival).


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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

18 February 2011 (USA) See more »

Also Known As:

Πάτι Χιλ See more »

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Box Office

Opening Weekend USA:

$4,868, 20 February 2011

Gross USA:

$49,918

Cumulative Worldwide Gross:

$58,585
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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