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Exodus: Gods and Kings (2014)

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The defiant leader Moses rises up against Egyptian Pharaoh Ramses II, setting six hundred thousand slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.


Ridley Scott
966 ( 451)
5 nominations. See more awards »



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Cast overview, first billed only:
Christian Bale ... Moses
Joel Edgerton ... Ramses
John Turturro ... Seti
Aaron Paul ... Joshua
Ben Mendelsohn ... Viceroy Hegep
María Valverde ... Zipporah
Sigourney Weaver ... Tuya
Ben Kingsley ... Nun
Isaac Andrews ... Malak
Hiam Abbass ... Bithia
Indira Varma ... High Priestess
Ewen Bremner ... Expert
Golshifteh Farahani ... Nefertari
Ghassan Massoud ... Ramses' Grand Vizier
Tara Fitzgerald ... Miriam


Biblical epic Exodus: Gods and Kings stars Christian Bale as Moses who, as the film opens, fights alongside his brother Ramses (a shaved-headed Joel Edgerton), to help defend Egypt, which is ruled by their father, Seti (John Turturro). During battle, Moses saves Ramses life, causing Ramses to fear that his brother will one day be King because it fits with a prophecy handed down by one of Seti's trusted spiritualists. Soon after Seti's death, Moses, who is actually Jewish and not Egyptian, is banished. However, he becomes the leader of the Jewish people and leads a rebellion, with the help of a wrathful God, against that Egyptians..

Plot Summary | Plot Synopsis

Plot Keywords:

moses | pharaoh | plague | egypt | exodus | See All (378) »


He defied an empire and changed the world. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for violence including battle sequences and intense images | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official Facebook | Official site | See more »


UK | Spain | USA



Release Date:

12 December 2014 (USA) See more »

Also Known As:

Moses See more »


Box Office


$140,000,000 (estimated)

Opening Weekend USA:

$24,115,934, 12 December 2014, Wide Release

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs




Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Christian Bale is the second actor to play both Batman and Moses. The first being Val Kilmer, who played Batman in Batman Forever (1995), and was the voice of Moses in The Prince of Egypt (1998). See more »


Hanging as a means of execution was non-existent in ancient Egypt where drowning, beheading and crucifixion were common. There is no historic record of any circumstance that could produce explosions as depicted in the Hebrew arson scene. See more »


Hegep: Is there anything I can do to please you?
Moses: You can stop living like a king. You're not one.
See more »

Crazy Credits

For my brother, Tony Scott See more »


Version of VeggieTales: Moe and the Big Exit (2007) See more »

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User Reviews

Exodus: Effects and Lack of Emotion
27 April 2015 | by MisterWhiplashSee all my reviews

It's not any one thing especially that is particularly so wrong with Exodus: Gods and Kings, but an overall gloom and doom that befalls the film, the deadly serious tone, that keeps it from reaching to a higher plain of epic-filmmaking existence. Scott takes this tale SO seriously, indeed, that he has things like a stern-faced child as the voice of the "I Am". Which is fine, except that there is nary a moment of any kind of other emotion from this child actor throughout than of whining. At least when Scorsese had a child as a 'God'-like being in Last Temptation of Christ it was for a shorter period of time, and for a more specific purpose. If there was a point to be made about this child as a "God" - perhaps as his way of criticizing religion as the God of the Old Testament being a brutal eight year-old - it could have had an impact... if the rest of the film around it wasn't so thuddeningly dull.

Why is this so dull? When you have this much money at your disposal, you got to try to make as much of a HUMAN connection, to make the drama really stand out (this was something another filmmaker in 2014, Aronofsky with Noah, actually understood and really made palpable and intense amid the spectacle). Or, go the other way into broad and campy material. Scott is just there to shoot a lot of this much the way he did Gladiator, Kingdom of Heaven and Robin Hood - in other words, substitute out the pyramids with colisseums, or castles, or other things, and you'd have similar hyper-kinetic action (sometimes but not always too fast) and actors who are well-trained and versed and there to do the work, but not much more.

Actually, those other films, even Robin Hood, would be preferable to sit through again than Exodus. There's just no joy or excitement to the filmmaking; the closest part where it really gets engaging and exciting and full of 'Wow' material are the plagues. Those work well, just as eye-candy. People in the cast like Christian Bale and Joel Edgerton, as Moses and Ramses respectively, are giving it their all - or as much as the script is asking them too, which is pretty similar relatively scene to scene (Ramses rarely is anything other than a "God"-type d***head). But other actors are completely wasted amid the scenery and effects: Sigourney Weaver, Aaron Paul, Ben Kingsley, they're only there to look on with awe and "huh" moments, or deliver exposition glumly. Ewen Bremmer, of all actors, as the sort of court-jester-summarizer of the plagues steals the show far as supporting players go.

It's all just flat, monotonous story-telling, and for all of those moments - that mid-section with the plagues - that are visually striking and cool-looking, there's still not much investment with the characters. We know how this will play out, but what do Scott and his screenwriters do to add anything extra aside from that been-there-done-that "lived-in" dirty quality? Uh... extra violence (albeit just up to the line of R-rated)? An opening battle? For all of the intensity of the two main actors, and the tremendous special effects, it's practically wasted on a story that is 90 minutes shorter than DeMille's 1956 Ten Commandments, feels long and sluggishly paced - this despite the fact that certain other characters who could add some human dimension (like Moses' wife) are underdeveloped and under-utilized. Just put the actor there, prop-like, shoot, go on with the next scene.

Where's a good 'Golden Calf' sequence when you really need one?

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