Deadline

From the London establishing shots, the music and the bizarre first meeting this lumbering tortoise will never overtake the hare. Have seen both James D'Arcy and Charlie Murphy before and enjoyed their work. Here though they are given but scraps to work with, they make headway, but are crucified by the idea of 'interview as exposition'. The first quarter of this series is clumsily burnt with extraneous groundwork. We have a vapid hook at the end, but do not care since after a tortuous episode we have not been invited to invest in these characters.