Emily the Criminal

In a saturated cesspool of entertainment now a days, it's films like these that are hard to come by. Engaging, tense, well acted, really drove the message of our awful job market in the states in a tasteful way. No CGI, greenscreens, gender politics. Just solid story telling. It's Breaking Bad "lite" for those that are a fan of the series.

Aubrey Plaza and Theo Rossi are Terrific Together in this drama and thriller rolled into one. Plaza shows great acting acumen as a "down on her luck" artist who becomes swept up in a crime spree to earn extra income. She is sweet, vulnerable, and relatable in this roll. She plays it really well. Rossi is terrific as her crime mentor. He plays a savvy non-violent criminal with a softer side. The film reminds me of another great film, Uncut Gems, in all the right ways. The acting is sharp. The Direction is first class. The Cinematography is very good. The movie is small in some senses. But it evokes many emotions- from anxiety to sadness, and more. This so worth watching for the performances alone.

This is a very engaging movie. Plaza is good, and Rossi, as her mentor in crime, is even better. They have a good chemistry together, which makes all the difference.

Her initial state --- student debt, no good job available, shared housing, etc. -- makes her desperation for something else understandable. Her step-by-step descent into crime feels credible, as do the details of the criminal schemes themselves.

Well worth watching.

A debt-ridden woman with an unkind past forced, Emily was cornered into partaking of a shady 'dummy shopper' scam. Things got bad to worse from there, resulting in a movie that was equally entertaining and gripping.

John Patton Ford did an excellent job writing and directing this project. Nathan Halpern's musical scoring was noteworthy though minimal. Jeff Bierman's cinematography was engaging and deep. Detail-driven work all round by the editing, hair-makeup, art direction, production design, costume, and stunt departments.

I personally believe that Aubrey Plaza's Emily is one of her career-highlight roles. She gave a riveting performance as a misunderstood and pressured woman trying to find peace of mind through freedom from debt.

Yousef, played by Theo Rossi, was great. Liz, played by Megalyn Echikunwoke, was quite good. Javier, played by Bernardo Badillo, was notable. Khalil, played by Jonathan Avigdori, was good. Vaz, played by Jack Topalian, was quite good. Armen, played by Roman Mitichyan, was memorable.

All other cast and crew did notable work in "Emily The Criminal" now streaming via Amazon Prime VOD.

This movie, and Aubrey Plaza's role in it, made me reaffirm the fact that our societal systems are designed to drive some people over the edge for no fault of their own. The script left no loose ends. Every frame, even the simple ones, felt like they contained hints of something dark at play.

"Emily The Criminal" was one of the best movies I've seen in 2022. It captured desperation and humanity in understandable and convincing ways. The movie also conveyed a guarantee that any one of us would've made the same decisions as Emily if the circumstances were right.

Realistic portrayals of the job market and its exploitation - unpaid internships, to name one - were also focused upon. The way it all led to Emily choosing crime to pay her bills and survive ended up feeling credible and essential. The script put paid to the adage, "criminals are not born, they're made."

Emily the Criminal stands next to Maverick for the best thriller of the year. That's because of Aubrey Plaza, who plays the anti-hero for our times

The eponymous bad girl of the Sundance breakout Emily the Criminal is as much a victim of society's neglect as she is of her own self-centeredness. Yet Emily (Aubrey Plaza) is self-sufficient and capable of kicking serious butt, not in a professional, martial-arts way, but in a way that mirrors her determination.

It's not difficult to see why she is easily seduced from food-delivery work to credit card scamming given the $70K in school loans, half a degree, and her permanent record of aggravated assault and DUI. The clarity and tension with which writer/director John Patton Ford unfolds Emily's arc are admirable--anyone in the audience can immediately identify with her dilemma-to remain poor or to make enough to erase debt and live comfortably.

Emily's only real friend is her old college chum, Liz (Megalyn Echikunwoke), who gets her an ad-agency interview with a mean womansplaining exec (Gina Gershon) that serves as the last testament to what Emily will suffer for every job she interviews: facing her criminal record and being offered, in this case, an internship for almost a half year without pay.

Hooking up with an enterprise that scams credit cards is almost a given; hooking up with the middle manager, Yusuf (Theo Rossi), is also a given, given that he is handsome, charming, and warm hearted. The drama actually comes alive when she begins scamming, showing a natural talent and aggressive enough, unlike other modern heroines, to escape by wit or just smarts with the help of a taser or boxcutters.

Throughout Emily the Detective, Plaza plays a decent millenial who has been buffeted by fate and her own stern affect to find salvation in accelerating crime, for which she has talent. Emily is not really the criminal that Yusuf's colleagues are; rather she's a bright woman caught in a social satire both trenchant and scary.

You'll love Plaza in this role. Just pray she can move from her deadpan characters to a variety of strong women. Like Ryan Gosling in Drive, she's impossible to ignore. She's that good.