Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
An average, calm mid-20s girl named Veronica restarts her dead dating life all of the sudden, but with two guys: a sensitive failed writer named Abel and an airheaded drummer named Zed. At ... See full summary »
Kenzo creative directors Carol Lim and Humberto Leon have tapped American independent filmmaker Gregg Araki, one of the leading lights of the New Queer Cinema movement, to write and direct ... See full summary »
Grace Victoria Cox,
Smith's everyday life in the dorm - hanging out with his arty, sarcastic best friend Stella, hooking up with a beautiful free spirit named London, lusting for his gorgeous but dim surfer roommate Thor - all gets turned upside-down after one fateful, terrifying night.Written by
Toronto International Film Festival
One of Thomas Dekker's (Smith) co-stars is Araki regular James Duval, in Gregg Araki's tonally similar film Nowhere James Duval portrayed Dark Smith. Both films might even be set in the same universe. See more »
When Smith first meets the red-haired girl at the party, she pukes all over his right shoe. He then goes to the bathroom & begins washing his left shoe in the sink. See more »
Straight guys are gayer than gay guys. The fact they're in love and can't suck each other's dicks makes them act queerer than Clay Aiken.
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Gregg Araki's breakthrough film, 1992's THE LIVING END, was a gay THELMA & LOUISE in the age of AIDS, very cutting edge, and I thought he'd go much further than he did but, then again, big things were also predicted for John Dahl (RED ROCK WEST, THE LAST SEDUCTION) at the time. Oh, well. Anyway, Araki's been on the indie scene ever since and KABOOM takes his "apocalyptic teen angst" series (TOTALLY F***ED UP, THE DOOM GENERATION, NOWHERE, MYSTERIOUS SKIN) on a psychedelic roller coaster ride to a trippy -and inevitable- eve of destruction. It's a stylish (with vivid colors you can eat with a spoon), funny, sexy, college-set CLUELESS-on-acid that morphs into a cross between Sergio Martino's ALL THE COLORS OF THE DARK and THE WIZARD OF OZ after a horny, existentialistic film student begins to realize he may be at the center of a global conspiracy with cataclysmic consequences. Fairly indescribable, free-wheeling sci-fi fun that'll leave you with a WTF? feeling. I liked it.
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