When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ...
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Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
Director:
François Ozon
Stars:
Isabelle Carré,
Louis-Ronan Choisy,
Pierre Louis-Calixte
When Katie, an ordinary woman, meets Paco, an ordinary man, something magical happens: a love story. From this union an extraordinary child is born: Ricky.
Director:
François Ozon
Stars:
Alexandra Lamy,
Sergi López,
Mélusine Mayance
One murdered man, eight women, each seeming to be eager than the others to know the truth. Gimme, gimme, gimme some clues to make up my mind. And eventually enter the truth. Oh, thou cruel woman!
A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Director:
François Ozon
Stars:
Évelyne Dandry,
François Marthouret,
Marina de Van
Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there.
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and personal complications arrive in the form of her ex-lover (Depardieu), a former union leader.Written by
IMDb Editors
The vintage microphone used by Catherine Deneuve in the final singing scene is a AKG D202, nicknamed "the Rocket" because of its distinctive shape. See more »
Goofs
Bacarra - Parlez Vous Francais, the song played when they enter the bar, came out in 1978, yet the movie is set in 1977. See more »
"Your job is to share my opinion." Robert Pujol (Fabrice Luchini) to his wife.
As you can tell from the trailers and the above quote, Suzanne Pujol (Catherine Deneuve) will not remain a potiche (Trophy wife) for long in Potiche, a fluffy satire of the late '70's fascination with the feminist movement. It's a lightweight look at the emergence of a woman to run the family business in a style that melds conservative and liberal values in the form of negotiations with unions and meaningful dialogue.
The soft touch of director Francois Ozon is evident in almost every frame, from Suzanne's modest but flattering outfits to her soothing charm that binds friends and family in a humanity coming partly from her considerable beauty, even as a middle-aged woman, and partly from a script that leans to the left with good cheer.
Along the way writers Pierre Barillet and Jean-Pierre Gredy (both successful with Just Go with It) guarantee Suzanne will triumph in the factory and a coda that looks ahead to Hillary Clinton. Although none of the dialogue is memorable and some of the setups sophomoric, the film retains its respect for her and the mission of feminism. The sweetness of it all is that despite her philandering husband, Suzanne has a checkered past as well, making for a balanced battle of the sexes.
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"Your job is to share my opinion." Robert Pujol (Fabrice Luchini) to his wife.
As you can tell from the trailers and the above quote, Suzanne Pujol (Catherine Deneuve) will not remain a potiche (Trophy wife) for long in Potiche, a fluffy satire of the late '70's fascination with the feminist movement. It's a lightweight look at the emergence of a woman to run the family business in a style that melds conservative and liberal values in the form of negotiations with unions and meaningful dialogue.
The soft touch of director Francois Ozon is evident in almost every frame, from Suzanne's modest but flattering outfits to her soothing charm that binds friends and family in a humanity coming partly from her considerable beauty, even as a middle-aged woman, and partly from a script that leans to the left with good cheer.
Along the way writers Pierre Barillet and Jean-Pierre Gredy (both successful with Just Go with It) guarantee Suzanne will triumph in the factory and a coda that looks ahead to Hillary Clinton. Although none of the dialogue is memorable and some of the setups sophomoric, the film retains its respect for her and the mission of feminism. The sweetness of it all is that despite her philandering husband, Suzanne has a checkered past as well, making for a balanced battle of the sexes.