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Meek's Cutoff (2010)

PG | | Drama, Western | 15 April 2011 (UK)
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Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions.

Director:

Kelly Reichardt

Writer:

Jonathan Raymond (screenplay) (as Jon Raymond)
7 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Michelle Williams ... Emily Tetherow
Bruce Greenwood ... Stephen Meek
Will Patton ... Soloman Tetherow
Zoe Kazan ... Millie Gately
Paul Dano ... Thomas Gately
Shirley Henderson ... Glory White
Neal Huff ... William White
Tommy Nelson ... Jimmy White
Rod Rondeaux Rod Rondeaux ... The Indian
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Storyline

The year is 1845, the earliest days of the Oregon Trail, and a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst and their own lack of faith in each other's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy. Written by Oscilloscope

Plot Summary | Add Synopsis

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated PG for some mild violent content, brief language and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 April 2011 (UK) See more »

Also Known As:

Meek's Oregon 1845 Cutoff See more »

Filming Locations:

Oregon, USA See more »

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Box Office

Opening Weekend USA:

$20,042, 10 April 2011, Limited Release

Gross USA:

$977,600, 21 August 2011
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Paul Dano and Zoe Kazan played a couple again two years later in Ruby Sparks (2012). See more »

Goofs

In the last shot of the scene when the Indian carves a picture into a rock, the previous carving has disappeared/changed. See more »

Quotes

[first lines]
Jimmy White: [reading from Genesis] In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return. And Adam called his wife's name Eve, because she was the mother of all living.
See more »

Connections

Featured in At the Movies: Venice Film Festival 2010 (2010) See more »

Soundtracks

Nearer, My God, To Thee
(uncredited)
Written by Sarah F. Adams and Lowell Mason
Performed by Neal Huff
See more »

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User Reviews

 
I blame him for saying he did.
23 August 2011 | by SpikeopathSee all my reviews

Meek's Cutoff is directed by Kelly Reichardt and written by Jonathan Raymond. It stars Michelle Williams, Bruce Greenwood, Will Paton, Paul Dano, Shirley Henderson, Neal Huff, Zoe Kazan and Tommy Nelson. Music is by Jeff Grace and cinematography by Chris Blauvelt. Story is based on an historical incident on the Oregon Trail in 1845, when frontier guide Stephen Meek (Greenwood) led a small band of settlers across the trail in search of richer pastures. For what was meant to be a two week journey, has now turned into five, and the settlers have this horrible feeling that Meek is lost. With no end to the journey in sight, low on food and water, and becoming ravaged by the terrain, the group starts to come apart at the seams.

Those familiar with Kelly Reichardt's work, Old Joy/Wendy & Lucy, will have some idea that Meek's Cutoff was never going to be a traditional Western picture. Often cited as a low-key, minimalist, director, Reichardt has stripped the Western right back to craft a beautifully shot film dealing with the hardships endured both physically and mentally of three families out on the Oregon Trail. Opening without dialogue for the opening seven minutes, where the first voice we hear is that of a child reading Tree of Life, tone is set from the off. We are asked to fill in the blanks ourselves, but it's evident that the group are in trouble, they already look haggard, afraid and near desperation. From here dialogue is as sparse as the terrain they traverse, the wagons crawl at pace, and so to does the film, a slow pace that remains throughout. The interest is all about the characters and their reactions to the situations that arise, no soft soaping or corner cutting, it's stark and uncompromising.

This is a different Wild West, the characters are etched into a parched, sun-bleached landscape, there's no romanticism here, just emotional turmoil, it's like the group are in purgatory, desperately trying to reach that Tree of Life on the other side of yet another obstacle. Shot in the 1.33 aspect ratio, this neatly puts the characters front and centre, most tellingly the women, who are the crux of Meek's Cutoff. This viewpoint gives the film a further lift out of the norm, deftly observing the family based woman's place in the West. One of a number of indelible moments in the piece sees the men move away from the women, who have to observe from distance as the men make the crucial decisions, left holding onto the last vestiges of the civilisation left behind, it says so much without actually doing much, something that Meek's Cutoff thrives on.

The acting is superb, with Williams, Paton and Greenwood leading the way. This collection of thespians really inhabit their roles, giving the film conviction. Conviction born out by Blauvelt's yellow and brown ochres. Grace's music is also sparse, but telling in a film that mostly deals in quiet conversations, or the natural sounds of wheels turning and tin cups clanking. It's finely detailed and the director wants us to not only examine said details, but also to be part of them. It has already proved to be a most divisive picture, something that is very understandable, even to someone like myself who has been beguiled by it. Where some see a slow crawl where nothing much happens, others see a rich human interest journey where the complete opposite is the case. Regardless of how it eventually works out for the viewer, it remains a film that serious Western fans simply have to see and evaluate. 9/10


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