Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, he is forced to acknowledge his true legacy - whether he likes it or not.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
Warner Bros spent about 1 million dollars for the shooting of the opening sequence in Strasbourg (France). Only 3 shots were edited in the movie. 23 seconds for the opening scene and 13 seconds under a porch at about 52 minutes. See more »
Although the English flag does feature St. Goeorge's Cross, in 1891 there was no particular connection with England. At that time, the Union Jack would have been used to identify the United Kingdom. Moreover, the term used would have been 'Großbritannien' (in reference to the United Kingdom of Great Britain and Ireland) instead of 'England'. See more »
Dr. John Watson:
The year was 1891. Storm clouds were brewing over Europe. France and Germany were at each other's throats, the result of a series of bombings. Some said it was the Nationalists. Others, the anarchists. But as usual, my friend Sherlock Holmes, had a different theory entirely.
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The Warner Bros/Village Roadshow/Silver Pictures logos, opening title, closing title and part of the closing credits appear in the pages of Dr. Watson's manuscript, with the latter two accompanied by illustrations of scenes from the film. See more »
What a relief! The trailers lied--it was awesome. :)
We just got back from the earliest showing we could get a sitter for. I can say with confidence that my fears about this movie were totally unfounded, and I now hold Guy Ritchie and these writers in the highest regard. Without going into spoilers, here are the three concerns that were put entirely to rest: 1) After seeing the trailer, my biggest worry was the use of "bullet-time" type photography during a Victorian-era movie. I thought it would be completely anachronistic and pointless. However, they'd already established in this movie and the previous one that Holmes is hyper-aware of his surroundings. The bullet-time was used to convey how traumatic a couple of scenes were to someone with that type of awareness, and it worked beautifully.
2) Jared Harris looked so vanilla and soft in the promo pics and trailers that I couldn't imagine him as a fearsome adversary for Holmes. However, his Moriarty is so devious and cunning, and at one time downright sadistic, that I don't think they could have made a better choice. A couple of times I felt like he was channeling his father (the outstanding Richard Harris) without the warmth and empathy that the late actor conveyed. Can you imagine Richard Harris as a cunning, calculating perfectionist that's totally devoid of concern for human life? You won't have to after watching his son. It's freaky. And he sings.
3) Holmes' relationship with Watson (and in a small way, Irene Adler) is fantastically developed. Saying any more than that would be too spoilery.
So, watching this w/ my husband(who is a die-hard Sherlock fan, and used to read Sherlock Holmes aloud to me every rainy night, complete w/ voices) was a fabulous experience. We can't wait to see it again, and own it.
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