4.3.2.1.

Four girlfriends, each in their own troubles over head, are involved in the theft of diamonds, which they are not even aware of. Movie tells four separate stories, each being close up for one of the girls. Then stories begin to intertwine and merge into a common finale. Interesting, but in every way mediocre. I'm giving one additional point because this is Noel's second directing and movie has low budget for today's standards. My secret crush in Emma Roberts did not affect my rating, I promise.

7/10

Noel Clarke showed a lot of promise as a independent British film maker with the excellent Adulthood, the second part of Kidulthood of which he also wrote. Both films had an honest and frightening portrayal of youth culture today. What made these films stand out was the depth of the characters he created not seen in others films trying to portray the same subject of youth gone wrong, the audience actually cared about where these people's lives would lead to. Clarke is a film maker with something bold to say and has his own style with plenty of potential to be one of uk's top film makers. Unfortunately his latest film 4.3.2.1 doesn't confirm this.

4.3.2.1 is a film that promises a lot with poster tagline says 4 girls, 3 days, 2 cities, 1 chance, its an exciting set up. 4 friends stories and lives told separately all of which become linked through a diamond heist with some rough characters in pursuit. This type of story telling has worked very well for Tarantino's classic Pulp Fiction and Doug Limans "Go!". In fact this film has more in common with "Go!" in terms of plot. You only have to see both these films to know that when done right this type of story telling can be exciting, fresh and damn good fun but Clarke just doesn't seem to have a grip of the story and where its going, it could have done with a better edit, each of the girls stories are overlong and drawn out where they could have been fast, sharp and snappy with only Shannon's story (the first to be shown) showing excitement and gripping an audience, such a shame as this was a promising start. The New York sequence felt poorly executed and unexplained, a poor attempt at a cross over potential with cameo's from Kevin Smith (which was more irritating then funny) and Eve (quite pointless).

The performances from the four leads do save the film from being a total failure, particularly from Ophelia Lovibond and Emma Roberts. Clarke clearly shows his gift for writing strong and rich characters. Some people have cried stereotype's for the four leads, with this i disagree in fact i feel all four of them were girls you could route for and were the strongest aspect of the film The sad part is i really wanted to love this film, i had high expectations and hoped it could be a winning cross over for Clarke. This film overall failed to give me the same excitement i had for his previous films. The plot and pacing felt uneven, the whole film was half an hour too long and more importantly not fun at all making 4.3.2.1 feel like a wasted opportunity to wider Clarke's audiences. I believe the best is yet to come from the award winning film maker but this is not the best example of his talent only showing a small amount of his potential. Maybe go back to basics next time!

One of the worst films I've seen in ages, actually ever. Astonished that people have even made comparisons to films such as Pulp Fiction - what an insult!

The storyline was weak and confused (not confusing) and seemed to be based around often chavvy 20-somethings getting down to their underwear for no apparent reason. The script and acting was embarrassing and the 'twist' at the end wasn't even a twist.

Will never get that time back, or the rental money. Avoid, and if "4.3.2.1 is one of the best movie of it's genres (sic)" as one reviewer suggested, avoid this genre too!

It's not because I'm British. It's not because I'm a fan of Tamsin Egerton. It's because this films is brilliantly directed and the screenplay is solid.

This film captured me from the beginning. The concept of four girls, total opposites, yet it's thoroughly believable that they're best friends. How their lives, though completely different are connected through the use of diamonds.

The acting. Although some can be seen as stupid because it's more comical, I don't think I could fault many of the actors as it was terribly convincing. Tamsin Egerton, after seeing her in Keeping Mum and St Trinians has proved herself to be a rising star, although she seems to play similar characters, she still excels. Emma Roberts, I couldn't quite accept her driving a car, as she looked far too young compared to the other cast members yet she still gave a good performance. Ophelia Lovibond is very shaky throughout the film and sometimes unconvincing in her anguish but she still gives a satisfying performance. Shanika Warren- Markland is, I guess offers comic relief in the film and is a direct link to the diamond heist yet we never really focus on the diamonds. Her character is believable and funny. The rest of the cast are very good, with a few surprising faces it is also the fun of spotting who you know as well as getting involved with the story.

The direction. I have never seen 'Kidulthood' or 'Adulthood' so I didn't really know what to expect, I deemed those films to be 'not my taste' and so I'v never watched them but after seeing this film, I certainly want to have a look at them both. There are many jump cuts and it seems to cut too fast at times, but that, I think adds to the tension and mirrors your feelings of not knowing what is going on. The quick cuts help you feel like the characters, confused even though it's happening right before you. The way it's edited with it being an almost portmanteau film adds to the tension and suspense as you can only really piece together everything that's happened in the very end; very amusing and well pieced together.

I would believe those who have called it average will be big fans of American clean-cut cinema. This film offers many ambiguous techniques which is brilliant and quite rare in most mainstream Hollywood films. This film, to me, is new, clever and slick, the way the script works is brilliant and the way it is edited and filmed is superb. The worst thing about this film is that I think is that it's highly under-rated. I don't often slate people for having bad tastes in film but if you really dislike this film you need to take a break from James Cameron and open your eyes to British and alternative cinema.

This film is a rare diamond. Not to be called average and not to be overlooked.

4.3.2.1, is a British-teen aimed film with standard Brit ingredients of guns, sex etc. I went with my mum as she (like me) enjoys gritty street Brit flicks such as Kidulthood, Adulthood, Bullet Boy etc.

Admittedly, my mum was the oldest in the premiere screening, and it was a feisty atmosphere, but I was used to this from when I went to the opening screening of Adulthood.

It started off slow. It was just quite a lot of things happening, with little sense or links between them, but as the characters divided off into 4, the story really kicked in. It was similar in style to Pulp Fiction in the fact it follows the individual stories of the characters, all of which have links that connect them together throughout. This was very, very well done throughout and included flashbacks between the switching of characters so the audience could remember what had happened.

It was very well directed, had a good flow to it, and had lots of comedic parts, all of which were subtlety put in to it so to not make it into a predominately comedic film.

The film was well rounded off, with me actually leaving quite surprised. The ending left scope for a sequel (which I know looks to be in the pipeline) and I actually enjoyed it far more than I expected.

Most films I see at the cinema, I leave thinking I don't want to see it again, not because it was rubbish, but because I felt I'd enjoyed it enough not to need to re-watch it. This, however, was simply brilliantly made, had a strong plot and left me wanting more. My mum even enjoyed it more than me, and she's 40 :P Although not my highest rated film this year so far, this does go down as probably the most enjoyed and well worked film I've seen this year.