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Title: Gui tu lie che (2009)
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| Cast overview: | |||
| Changhua Zhang | ... | Self | |
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Suqin Chen | ... | Self |
| Qin Zhang | ... | Self | |
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Yang Zhang | ... | Self |
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Tingsui Tang | ... | Self |
Husband and wife Changhua Zhang and Suqin Chen are among 130 million migrant Chinese workers, most, like them, who have left children behind in the village for elders to care of, and who only see their family once a year when they head home for the biggest holiday of the year, Lunar New Year. In 2006, they will have been away from their village for sixteen years, they starting this life when their only child at the time, daughter Qin Zhang, was one year old, she raised by Suqin's parents, her father having since passed. Three years in their collective lives from 2006 to 2009 are told, largely centered on those annual trips home, and the parents' relationship with their two children, which also now includes adolescent son Yang Zhang, who they don't really know in only seeing them once a year. Changhua and Suqin's goal in choosing this life was to get the family out of poverty, they living to work - in a clothing sweat shop - sending money home so that Qin and Yang will stay in school ... Written by Huggo
Last Train Home (2009), directed by Lixin Fan, is a Chinese documentary, or possibly a docudrama. According to the film, over 200 million factory workers, who have left their homes to work in the city, attempt to return home for the New Year holiday.
As would be expected, the Chinese rail system can't possibly handle this burden, and the system basically collapses. Millions of workers, all over the country, are stranded for days at rail stations. Sometimes they find space on a train, other times they go back to work having spent the entire holiday at stations, crammed together with other workers in the same situation.
Everywhere we turn in the U.S., items we purchase say, "Made in China." While the Chinese economy booms because of this immense export capability, family life and social cohesion suffer.
We meet a husband and wife, who work together in a distant city, and their teenage son and daughter, who still live at home with their grandmother. The children feel abandoned, and the parents feel unappreciated for the immense sacrifices they have made to support the family.
There are no heroes or villains in this documentary. The situation represents a microcosm of a huge societal change, and the end results are unpredictable.
We saw this film at the ill-named, but excellent, Rochester 360 - 365 film festival. It will work well on a small screen, although the crowd scenes will probably be more effective when viewed in a theater. This is an important film, but not a happy one. It's definitely worth seeking out.