Mad God

No doubt a visual spectacle and impressive stop-motion affair from Phil Tippett, but Mad God has essentially zero plot or reason to care for anything that's going on. Some unknown guy wanders around a machinery place seeing weird stuff, and that's pretty much it. There's no dialogue at all. If visual mindscrew-ery stuff and style over substance is your cup of tea, then you might love it. As for me, I needed more than that.

5/10.

Mad God (2021) is a unique animated gem that was recently added to Shudder. The storyline follows a man who descends into a lost city in ruins. When he gets there he fines an array of death, torture and monstrosities that are a result of this lifestyle. He will search the city for the source of its pain and agony...

This movie is directed by Phil Tippett (Starship Troopers 2) and contains the voices of Alex Cox (Repo Man), Anthony Ruivivar (Tropic Thunder) and Talal Selhami.

The animation in this is fun and unique and reminded me a little bit of the movie 9. The universe is fascinating and the creatures within it are clever and well done. There's a good use of lighting to create intensity and curiosity. The storyline is a bit all over the place and hard to follow. The film focuses more on its outstanding special effects, gore and worthwhile action scenes rather than the plot. The surgery scenes in this are tremendous and the tank battles are very well done.

Overall, there's a lot to like here visually and conceptually. I just wish there was a better plot to take it over the top. I would score this a 7.5/10 and strongly recommend it.

If animation cinema is your thing, and dystopian dynamics make you sing, here's a film that you should see, it will fill your heart with glee, a post-apocalyptic nightmare with a sting. You're not too sure what's going on most of the time, in this purgatory world where nothing's fine, but the creatures are amazing, the hellish landscapes quite hair razing (amongst other things), the whole experience is outrageous and sublime.

Some rather talented people have made a grotesquely engrossing animation that leaves a mark, or perhaps a scar, that will linger for some time after and compel you to introduce those you know.

Mad God is one of the most visually and audibly arresting films I have ever seen. To say that the technical craft on display is striking would be a criminal understatement. This is thoroughly the singular vision of a master artist, and I am so glad I got to experience it.

It is chock full of metaphorical depth related to man's relationship to both creation and destruction, and for those who are patient and are in love with the macabre, there will be so much for you to glean from it.

As for myself, I did glean a bit from the film's heavy messages, though the extremely sparse narrative left me wanting a LOT more.

We never stay with a character for longer than 20 minutes, and our journeys with them are always cut short right as they're getting interesting. The lack of any clear stakes, motivations, or goals makes it extremely hard to get invested in, and makes 83 minutes feel like two hours.

It's clear that Phil Tippett used the 30 years of production to really get his visual ideas to be made manifest in gorgeous glory, but I do so wish that he had spent more of that time writing instead.

'Mad God' is equally weird and demented; a mergence of the nightmarish and the nonsensical into one wildly ambitious ride. Basically it feels like a glimpse into the mind of a madman; into a place both violated and broken without reprieve and without hope.

This is what you get when the imagination is pushed into warped overdrive - a fully realised vision of a hellish dystopia. And all of it is gorgeously (grotesquely) brought to life by stop-motion animation and detailed sets.

It's hard to rate this as I would a film with a story because this is more of an experience: a vignette-like tour through various strange environments and witnessing its even stranger denizens doing all manner of strange things... Top marks for effort, but it might have worked better as a series of 10-minute shorts, since even at 80 minutes my attention began to waver with nothing coherent to latch on to.

6.5/10.