The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Britain's Prince Albert must ascend the throne as King George VI, but he has a speech impediment. Knowing that the country needs her husband to be able to communicate effectively, Elizabeth hires Lionel Logue, an Australian actor and speech therapist, to help him overcome his stammer. An extraordinary friendship develops between the two men, as Logue uses unconventional means to teach the monarch how to speak with confidence.Written by
Though having had a large body of television work, director Tom Hooper won the Best Director Academy Award (Oscar) for this movie on his first ever nomination, the film being just Hooper's third ever film. The earlier two features Hooper had directed were Red Dust (2004) and The Damned United (2009). See more »
At the end of the movie, while the King delivers his wartime speech to the nation, a group of men in the next room are listening to it via headphones. The very dusty bakelite loudspeaker cabinet on the table was manufactured in the UK, by the broadcast relay company Rediffusion Limited, in the 1950s. See more »
1925 / King George V reigns over a quarter of the world's people. He asks his second son, the Duke of York, to give the closing speech at the Empire Exhibition in Wembley, London.
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You heard it from me: Not even James Franco with his boffo performance in 127 Hours can beat Colin Firth for the Oscar in King's Speech, a docudrama about the Duke of York (Firth) becoming King George VI while overcoming a crushing stutter. Not only does the actor get pitch perfect the stutter, but he also invests a kindness, courage, and vulnerability in the character that work in harmony to create an unforgettable George in an exquisite period peace.
Not to forget how generously Geoffrey Rush underplays Lionel, the speech therapist who is instrumental in making the king a speaker and a friend. That low-key acting allows Firth the room to expand his king's personality without interference from an Oscar-winning co-star. This is history as I like to learn it—honest and engaging with palaces and minor characters well-appointed and underplayed themselves as part of a mosaic of challenges facing a handicapped king and a nation on the brink of WWII. The pace is close to languid, better to allow us to settle in for the painful transformation of a man unused to public speaking but used to family mocking his disability.
George's bravery is the film's heartbeat, not flamboyant courage, mind you, but rather the kind that wakes us up to the character as complex and lovable. But valor is not his exclusively, Guy Pearce's Edward, who abdicates for his love, Wallace Simpson, can be seen as a courageous man giving up a crown for love or a fool falling for a twice-divorced socialite.
Such an ambivalence is fitting for a film that gently introduces you to a period in British history when alliances are not clear and allegiances dangerous. One thing is patently clear, however—this is going to be on most critics' best film of the year list with a sure Oscar winner for its star. If Firth missed the brass ring last year in A Single Man, he'll grab it this year in King's Speech.
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